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  <title>The 14th Precinct</title>
  <link>http://laguera25.livejournal.com/</link>
  <description>The 14th Precinct - LiveJournal.com</description>
  <lastBuildDate>Tue, 13 May 2008 15:05:22 GMT</lastBuildDate>
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    <title>The 14th Precinct</title>
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  <guid isPermaLink='true'>http://laguera25.livejournal.com/380132.html</guid>
  <pubDate>Tue, 13 May 2008 15:05:22 GMT</pubDate>
  <title>Two Instances of Fail and One of Decent TV</title>
  <link>http://laguera25.livejournal.com/380132.html</link>
  <description>In its infinite wisdom and in a shameless bid to hoard its profits, the utility company has announced that the city will convert its meters to Smart Meters.  In essence, our electricity and water meters will become computerized Borgs, reading the information about water and power use and sending it to the company remotely.  This, the company is pleased to announce, means that utility techs will no longer need to conduct monthly readings.&lt;br /&gt;&lt;br /&gt;Translation:  We&apos;re firing them.&lt;br /&gt;&lt;br /&gt;Wow.  What a great idea.  Let&apos;s fire hundreds of human workers and put our power grid in the hands of machines.  Yes, there are no dangers there.  No hacker with dreams of glory will breach the system and shut off the power as a joke; nor will they not use their l33t hacking skills to avenge themselves on an obnoxious neighbor.  And the computers will certainly never go haywire and charge a customer for a million kilowatt hours.  Oh, no.  Such malfunctions never happen.&lt;br /&gt;&lt;br /&gt;The best part is that in order for the transition to take place, they have to cut the power.  They claim that technicians will knock on the door to give customers notice and a chance to shut off electronics, but since I live in an apartment complex, I have my doubts.  I also doubt that the outage will be a mere five minutes.  Like as not, the power will fail without notice, eating my final paper or the greatest lines of prose since Ellison&apos;s &lt;i&gt;The Invisible Man&lt;/i&gt;, and I&apos;ll swelter in the dark for two hours while the &quot;licensed technician contracted by the city&quot; tinkers with sixteen electricity meters and an equal number of water heaters.&lt;br /&gt;&lt;br /&gt;Yeehaw.  City of Tallahassee, you fucking suck.&lt;br /&gt;&lt;br /&gt;Oh, but that&apos;s not the end of either my bitchfest or the fail parade that inspired it.  Nay.  My latest professor has decreed that as part of the coursework, we students are required to set up a university homepage with picture and biography so that we get to know each other better.&lt;br /&gt;&lt;br /&gt;Well, I don&apos;t think so, scooter.  She can penalize me as she likes, but I&apos;m not putting that kind of information out there for the perusal of people I don&apos;t know and have no desire to know.  They&apos;re probably harmless, but all it takes is one nutbar or shopaholic with a mountain of credit card debt.  I&apos;ve been through the stressful, three-ring circus that is reporting identity theft, and I&apos;m not volunteering for another stint in that carnival because she wants us to be a group-hugging coffee klatch.&lt;br /&gt;&lt;br /&gt;&lt;a name=&quot;cutid1&quot;&gt;&lt;/a&gt;But not everything sucks.  I caught &lt;i&gt;Bones&lt;/i&gt; last night, and while I think the Booth stalker storyline was rushed, it was a decent episode, and rekindled my desire for a Booth of my own.  He stepped between Brennan and the bullet without hesitation.  HOT.  Actually, I don&apos;t know what was hotter:  his heroic impression of a Secret Service agent, or Brennan picking up his gun and capping the shooter with a flick of her wrist.&lt;br /&gt;&lt;br /&gt;I know TPTB would like us to fret over the possibility of Booth&apos;s death, but we all know that the network doesn&apos;t have the balls or the spine to kill such an integral character.  There is no &lt;i&gt;Bones&lt;/i&gt; without Booth, just a shrill, socially inept woman whose blinkered ignorance of anything outside an anthropology textbook defies credulity.  Bones needs Booth in order to be accessible to the viewer, so Booth isn&apos;t carking it.&lt;br /&gt;&lt;br /&gt;I do wonder who the Gorgomath killer is.  My bet is on either the forensic psychologist or Hodgins.  The former is more likely, though Hodgins is the only one wealthy enough to encase the bones in silver.</description>
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  <category>bones</category>
  <category>uni</category>
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  <guid isPermaLink='true'>http://laguera25.livejournal.com/379706.html</guid>
  <pubDate>Sun, 11 May 2008 17:30:58 GMT</pubDate>
  <title>Why Christopher Tolkien Is a Nebbish Bag of Tooldom</title>
  <link>http://laguera25.livejournal.com/379706.html</link>
  <description>I eventually moved the chains on my SPNfic yesterday, and it shows no signs of winding down.  It&apos;s less than a third complete at 19,603, and if it weren&apos;t for the fact that I yearn with a young lover&apos;s need to fill in another prompt of my &lt;span class=&apos;ljuser&apos; lj:user=&apos;spn13&apos; style=&apos;white-space: nowrap;&apos;&gt;&lt;a href=&apos;http://community.livejournal.com/spn13/profile&apos;&gt;&lt;img src=&apos;http://p-stat.livejournal.com/img/community.gif&apos; alt=&apos;[info]&apos; width=&apos;16&apos; height=&apos;16&apos; style=&apos;vertical-align: bottom; border: 0; padding-right: 1px;&apos; /&gt;&lt;/a&gt;&lt;a href=&apos;http://community.livejournal.com/spn13/&apos;&gt;&lt;b&gt;spn13&lt;/b&gt;&lt;/a&gt;&lt;/span&gt; table, I&apos;d heave its fat, cottontailed ass out the window.  But no, I&apos;m obsessed with the giddy pleasure and sated, post-coital, &quot;I need a cigarette&quot; satisfaction of seeing a prompt turn blue.&lt;br /&gt;&lt;br /&gt;Dear God, I sound like a pregnant woman peeing on an EPT.  My baby.  What has fandom done to my brain?  Any road, SPNfic will be set aside as soon as the second section is complete.  I need to work on other plotbuns, and besides, my &lt;span class=&apos;ljuser&apos; lj:user=&apos;spn_summergen&apos; style=&apos;white-space: nowrap;&apos;&gt;&lt;a href=&apos;http://community.livejournal.com/spn_summergen/profile&apos;&gt;&lt;img src=&apos;http://p-stat.livejournal.com/img/community.gif&apos; alt=&apos;[info]&apos; width=&apos;16&apos; height=&apos;16&apos; style=&apos;vertical-align: bottom; border: 0; padding-right: 1px;&apos; /&gt;&lt;/a&gt;&lt;a href=&apos;http://community.livejournal.com/spn_summergen/&apos;&gt;&lt;b&gt;spn_summergen&lt;/b&gt;&lt;/a&gt;&lt;/span&gt; prompt will be sent on the 22nd. &lt;br /&gt;&lt;br /&gt;When not taking dictation from a carrot-guzzling bun, I read a little &lt;i&gt;Unfinished Tales of Middle-Earth&lt;/i&gt;.  Christ, but Christopher Tolkien is a pedantic, insufferable bore.  I nearly fell asleep during the foreword.  His reasons for selecting the pieces he did might pop the buttons on his tweed trousers, but I couldn&apos;t give a damn.  Nor would I give a damn if the knowledge came with a free side of piping hot cunnilingus performed by the elf of my choice.  I just want to read the stories.&lt;br /&gt;&lt;br /&gt;The bric-a-brac and bunting of story-building are only of interest to the builders, and often that interest is constrained further still to the works of their own craft.  Readers don&apos;t care that you came up with the story in mid-poop or while engaged in a bit of sudsy fun with the shower wand.  They just want to read it without you wanking furiously over their shoulder and interrupting the mind movie in their heads by scribbling production notes in the margins. &lt;br /&gt;&lt;br /&gt;~deep breath~  I&apos;m better now.  It just makes me irritable to see someone trying so desperately to prove their genius with so many bombastic pronouncements.  I don&apos;t care what you thought mattered, Christopher.  I&apos;m only concerned with what the story tells &lt;i&gt;me&lt;/i&gt;, and I don&apos;t care that it mightn&apos;t tell me the story it tells someone else.  Stop shoring up your own dubious claims to literary l33tness by cannibalizing your father&apos;s doodle pads.&lt;br /&gt;&lt;br /&gt;OK.  I&apos;m really done now.</description>
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  <category>christopher tolkien</category>
  <category>unfinished tales of middle-earth</category>
  <category>ficcing</category>
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  <guid isPermaLink='true'>http://laguera25.livejournal.com/379525.html</guid>
  <pubDate>Sat, 10 May 2008 17:01:44 GMT</pubDate>
  <title>Flack&apos;s Kink According to Guera and a Rant About Don Eppes</title>
  <link>http://laguera25.livejournal.com/379525.html</link>
  <description>I want to fic today, but my SPNfic just isn&apos;t tweeting my tweedlers.  The first paragraphs of &lt;i&gt;Et Tu&lt;/i&gt; IX have insinuated themselves into my brain in sultry enticement, but I&apos;m just torpid.  I could write on either of them if I&apos;d just focus, but my mind keeps turning to the books I could be reading or to the conjuration of smutty scenarios involving Flack and ass play.&lt;br /&gt;&lt;br /&gt;No, I don&apos;t know why.  I loathe ass play.  Maybe it&apos;s because I like anything that will arouse my sexual partner, or the sex partner of my OFC.  Besides, Flack strikes me as a kinky bugger behind closed doors...&lt;br /&gt;&lt;br /&gt;&lt;a name=&quot;cutid1&quot;&gt;&lt;/a&gt;&lt;i&gt;Numb3rs&lt;/i&gt; last night was...meh.  It wasn&apos;t dreadful, but I was hopelessly confused by Liz Warner.  I know she&apos;s whiny and juvenile when it comes to office entanglements, but I thought she was a competent field agent.  Apparently not.  Her attempt to trade on a grieving wife&apos;s obligation to her dead husband would have been skeevy and staggeringly arrogant on its face without the additional twattery of neglecting to get a read on Gina before wielding that particular hammer.  Megan certainly would&apos;ve done so.  Either Don Eppes has fucked all the competence out of her, or Liz was never a good agent.  In either case, her blunder highlights why she should not transfer back into the unit to replace Megan, a move for which TPTB are clearly angling.&lt;br /&gt;&lt;br /&gt;And Colby, poaching your boss&apos; sloppy seconds is gross.  Surely, you can do better.  Eugh.&lt;br /&gt;&lt;br /&gt;Next week&apos;s promo hints that the season finale pits brother against brother.  It shows Charlie getting cuffed and Don asking plaintively, &quot;Charlie, what did you do?&quot;&lt;br /&gt;&lt;br /&gt;If Don Eppes gets up on his high horse and starts preaching to Charlie about &quot;dangerous information&quot; and his duty to ensure that it passes only into &quot;acceptable&quot; hands, I&apos;m going to be in my basement, hammering out a space-time disruptor that will allow me to punch him in the face.  His moral superiority has always chafed, as has his blithe assumption that Charlie&apos;s work and worldview are secondary to his own.  He&apos;s constantly consumed with his rightness of cause and never stops to consider that Charlie, too, has a job and students to whom he is beholden.  He thinks nothing of ordering Charlie to set aside his work and shortchange the students who are paying to learn from him so that Charlie can pull the magic numbers from his ass and save Don from the onus of effort.  The message is constant:  Who cares about your work, Charlie?  It&apos;s all about me and mine.&lt;br /&gt;&lt;br /&gt;It galls, and when you couple that attitude with Don&apos;s belief that Charlie&apos;s personal convictions are lesser or more naive than his because Charlie has never been exposed to the &quot;real world&quot;, well, homicide has a dark appeal.  If Don does choose job over Charlie because he doesn&apos;t want to admit that the institution for which he works is flawed, then I foresee a schism between the two that won&apos;t be easily or quickly bridged.</description>
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  <category>tv</category>
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  <guid isPermaLink='true'>http://laguera25.livejournal.com/379187.html</guid>
  <pubDate>Fri, 09 May 2008 15:35:37 GMT</pubDate>
  <title>TV I Didn&apos;t Watch and Books I Might Buy</title>
  <link>http://laguera25.livejournal.com/379187.html</link>
  <description>Since &lt;i&gt;Without a Trace&lt;/i&gt; was advertising it as the arrival of Sam&apos;s baby bunting, I skipped the episode in favor of working on my SPNfic.  I know nothing of real-life labor and delivery, but the TV version is usually patent garbage.  The actresses grunt and scrunch and low like butt-raped cattle, hair frazzled and in lanky, stringy hanks, faces artfully red.  They huff and groan and usually choose the most ridiculous location to give birth.  I once saw Lily from &lt;i&gt;Crossing Jordan&lt;/i&gt; give birth on Garrett Macy&apos;s desk.  Anyway, I had no desire to watch Poppy Montgomery make like a constipated tick hound and take a biological dump all over the FBI field office.  Did I miss any first-rate drama?&lt;br /&gt;&lt;br /&gt;On the bibliophilic front, one of my recent buys was &lt;i&gt;The Unfinished Tales of Middle-Earth&lt;/i&gt; by the parasitic conservator of the Tolkien legacy, Christopher Tolkien.  I&apos;ve yet to start, but I&apos;m hoping it will shed more light on the history of the Elves.  Apparently, there is a whole series of texts exploring the history and creation of Middle Earth.  They were selling a set of five for fifty dollars, but I was leery.  Are they worth the expense in the opinions of LOTR fans?&lt;br /&gt;&lt;br /&gt;Roomie is at the grocery store, and I need to research Hamburger Hill and the presence and scope of troops of color during WWII for my SPNfic, so I bid you a temporary adieu.&lt;br /&gt;&lt;br /&gt;&lt;b&gt;ETA:&lt;/b&gt;  And this is why research is your friend.  Hamburger Hill was a battle in Vietnam, not WWII; the battle I was looking for was the Battle of the Bulge.  Viva research.</description>
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  <category>tv</category>
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  <category>lotr</category>
  <category>without a trace</category>
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  <guid isPermaLink='true'>http://laguera25.livejournal.com/378992.html</guid>
  <pubDate>Thu, 08 May 2008 13:07:28 GMT</pubDate>
  <title>CSI:NY 419-&quot;Personal Foul&quot;--SPOILERS</title>
  <link>http://laguera25.livejournal.com/378992.html</link>
  <description>&lt;a name=&quot;cutid1&quot;&gt;&lt;/a&gt;&quot;You should piss Lindsay off more often.&quot;&lt;br /&gt;&lt;br /&gt;Oh, Flack, I love you so.  That line is a thing of beauty, and more importantly, it sheds some light on the Danny/Lindsay relationship from the perspective of someone close to Danny.  It was intended as a joke, certainly, but it also intimates that Lindsay might be what Vince Vaughn called a &quot;Class 1 Clinger&quot; in Wedding Crashers.  It implies that Danny hasn&apos;t socialized much recently.  Whether his isolation is the result of his grief for Reuben or of his involvement with Lindsay is unclear, but it warms my heart to think of Lindsay as the human equivalent  of the grabby, priapic face-hugging, life-killing chest-burster from &lt;i&gt;Alien&lt;/i&gt;, and so I shall.&lt;br /&gt;&lt;br /&gt;Speaking of decidedly unpleasant metamorphoses, the writers have succeeded in making the formerly likeable Reed Garrett into the stereotypically sullen, vainglorious, short-sighted douchewad.  I was mildly dismayed when he presumed on his personal relationship with Mac to further his budding &quot;journalism&quot; career; I was markedly more unimpressed when he shamelessly thrust Mac into the untenable position at the press conference for the sake of mugging for the cameras and generating hits; I was nominating him for character kindling by the time they squabbled in the crime lab.  He struck me as presumptuous and ungrateful and hopelessly naive.  Unfortunately for him, it seems that naivete and Gen Y faith in the ability to change the world with the mighty keystroke has landed him in very deep and troubled waters.&lt;br /&gt;&lt;br /&gt;And now...it&apos;s time for me to lose my metaphorical shit and caper and howl like a baboon on a strict regimen of LSD and crystal meth.&lt;br /&gt;&lt;br /&gt;Like an anal wart on a high-priced call girl, the Danny/Lindsay phone call stuck out and was horrifically painful.  Danny misses her?  When has he had time to miss her between his justified grief and his ill-advised trysts with Riki?  And what has he missed?  The writers haven&apos;t shown her being there for Danny in any capacity.  Ever.  Even in &quot;Snow Day&quot;, it was all about her.  Her angst.  Her woe.&lt;br /&gt;&lt;br /&gt;That trend has continued throughout this season as well.  She claims to have tried to give him space, but Flack&apos;s comment that pissing Lindsay off was a good thing implies a truth altogether different, and if she has given him space, I&apos;d wager it was because she was butthurt and determined to punish him by withdrawing.  She reminds me of a cat scraping litter over a particularly ripe turd, turning up her nose at the offending dropping and showing it her ass with feline joie de guerre. &lt;br /&gt;&lt;br /&gt;It&apos;s always all about her.  The conversation tonight provided ample proof.  &lt;b&gt;I&lt;/b&gt; can&apos;t do this.  It&apos;s affecting &lt;b&gt;my&lt;/b&gt; work and breaking &lt;b&gt;my&lt;/b&gt; heart.  Me, me, me, mine, me, mine.  It&apos;s irksome and off-putting, and it boggles my mind that Danny misses someone capable of such staggering narcissism.&lt;br /&gt;&lt;br /&gt;Then again, Danny&apos;s once strong character has been so thoroughly demolished and contorted by the writers&apos; obsession with this deathless embarrassment that defining canon Danny is impossible.  If you had told me in S2 that Danny would make a weepy, spineless, blubbering phone call, begging forgiveness from a cold fish and navel-gazing succubus like Lindsay, I&apos;d&apos;ve laughed at you hard enough to break wind.  Yet there he was, groveling like a lovelorn tween.  It was embarrassing, like watching your drunk relatives apologize for their shortcomings right before they piss in the potted plant or barf down the priest&apos;s cassock.  Or like watching your toddler nephew reach into his diaper, pull out a fresh deposit into Le Banque Du Huggies, and proclaim it his greatest invention. &lt;br /&gt;&lt;br /&gt;As Flack said last week, &quot;Stop, OK?  Just...stop.&quot;  That scene nearly destroyed what was otherwise a solid if unremarkable episode.&lt;br /&gt;&lt;br /&gt;B for the cases, but C- for overall effect.</description>
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  <category>csi:ny s4</category>
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  <guid isPermaLink='true'>http://laguera25.livejournal.com/378855.html</guid>
  <pubDate>Wed, 07 May 2008 14:42:40 GMT</pubDate>
  <title>NCIS 517:  &quot;Recoil&quot;--SPOILERS</title>
  <link>http://laguera25.livejournal.com/378855.html</link>
  <description>I was all set to write a puff post about my latest book purchases.  Then &lt;i&gt;NCIS&lt;/i&gt; veered into Wonky World, and I decided I had to choke a bitch.&lt;br /&gt;&lt;br /&gt;&lt;a name=&quot;cutid1&quot;&gt;&lt;/a&gt;Ziva David is a highly-trained Mossad agent who has killed before, has killed her half-brother, as a matter of fact.  She splattered his evil, Kate-killing brains all over Gibbs&apos; basement floor and did so with nary a whimper.  Ziva is, plainly put, a tight-lipped, naturally suspicious and hyperobservant badass woman.&lt;br /&gt;&lt;br /&gt;So, why, oh why, was she shambling around NCIS last night like a late-blooming model for Xanax chic and blabbing to doofy, googly-eyed fanboys who might be serial killer lackeys that she&apos;s Mossad?  Why is she boffing squirrelly dweebs and pouring out her inner angst to them?  Where is Ziva David, and what have you done with her?&lt;br /&gt;&lt;br /&gt;I&apos;m not opposed to Ziva being rattled by having to kill someone who tried to kill her, nor am I opposed to her being unsettled with her brush with mortality.  She&apos;s not the T3, after all.  However, there was no reason for her to lose the entirety of her spine and become the cliche, hollow-eyed, drunken Fed after their first shoot.  This wasn&apos;t her first rodeo, and the other characters have gleefully celebrated her ability to torture in the past. Ziva is a trained assassin.  So please don&apos;t insult my intelligence, or her, for that matter.  If she&apos;s struggling with the intensely personal nature of the killing or the fact that she watched the light bleed from his eyes, then say so.  Have her talk to Gibbs in the morgue, and while you&apos;re at it, explain why her justified killing of a crack-ass crazy, woman-hating serial killer is profoundly more traumatic than shooting her half-brother in the head after working with him for years.&lt;br /&gt;&lt;br /&gt;Oh, show, I remember fondly the days when your writing didn&apos;t suck such unfettered, pungent ass.</description>
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  <category>ncis</category>
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  <guid isPermaLink='true'>http://laguera25.livejournal.com/378591.html</guid>
  <pubDate>Tue, 06 May 2008 15:40:02 GMT</pubDate>
  <title>CSI:Miami and Iron Man:  Which One Didn&apos;t Suck?</title>
  <link>http://laguera25.livejournal.com/378591.html</link>
  <description>Before I talk about &lt;i&gt;Iron Man&lt;/i&gt;, I need to vent about last night&apos;s &lt;i&gt;CSI:Miami&lt;/i&gt;.&lt;br /&gt;&lt;br /&gt;&lt;a name=&quot;cutid1&quot;&gt;&lt;/a&gt;God, what an overripe, empty, cack-handed, badly acted, priapic shit smear of episodic television.  I hadn&apos;t watched Miami on Mondays since the first episode, but when the promos pimped Alexx&apos;s departure as &quot;CSI turning on CSI,&quot; I was intrigued.  So I watched.&lt;br /&gt;&lt;br /&gt;If this had been the first episode of the franchise that I&apos;d seen, it would&apos;ve been my last, and I would never have bothered with CSI or CSI:NY.  I realize that no televised cop drama resembles real law enforcement, but Miami is so outlandish as to defy the bonds of human credulity.  I can buy Horatio keeping mum about the owner of the murderous chunk of slate; the connection is tenuous and there might be other explanations.  But once Delko departed from protocol and let Brian Woods remain at large until he processed the knife for DNA, well, the show, already creaking under the weight of nonsensical plot and lackluster acting, imploded.&lt;br /&gt;&lt;br /&gt;The episode was thin, and I felt like the director had mistakenly sent out early prints instead of the final cut.  The acting was either amateurish and stilted or histrionic and over the top.  I cringed during the evidence processing scene with Wolfe and Boa Vista on the marina docks.  Such unfunny, joyless banter between colleagues has seldom been heard, and don&apos;t get me started on the maternal meltdown cum heroin overdose hysteria Alexx displayed in the warehouse.&lt;br /&gt;&lt;br /&gt;And dear Lord, the l33t camera tricks during the DNA profiling sequence.  It burns, precious.&lt;br /&gt;&lt;br /&gt;This is horribly petty in light of this episode&apos;s sins, but Horatio looked old and bloated.  Either the lighting was off, or the stylist is secretly avenging a long-festering wrong  His face was puffy, his freckles were visible, and his hair had obviously been coiffed by a paralytic with a grudge, an eggbeater, and a Flowbie.  Wow.  He looked less like Horatio Caine, American hero and more like an aging actor who&apos;s grown comfortable and fat in his plum role.&lt;br /&gt;&lt;br /&gt;What a wet, festering diarrhea pool of a show, though I see the reason for its appeal in foreign markets.  It feeds into every stereotype held by foreigners and portrays American as thin, rich, indulgent, drug- and sex-crazed miscreants with an excess of money and time and a dearth of dignity and or personal responsibility.  Everyone, even criminals newly released from prison, has the means to go jet-skiing, and medical examiners live in swanky houses with sprawling lawns.  The show is as bright and vapid and ridiculous as the rest of the world thinks we are, and looking at the candyfloss garbage we export and tout as our best entertainment, I can&apos;t fault them.  If our TV was my sole means of judging American culture, I&apos;d think we were obnoxious ass figs, too.&lt;br /&gt;&lt;br /&gt;F-&lt;br /&gt;&lt;br /&gt;&lt;a name=&quot;cutid2&quot;&gt;&lt;/a&gt;&lt;i&gt;Iron Man&lt;/i&gt; was a fun summer movie.  I can&apos;t speak to its fidelity to the source material because I&apos;ve never been a comic book reader, but I enjoyed the movie nonetheless.  Downey was wonderful as the sardonic, womanizing genius, Tony Starke.  Even before his redemptive epiphany in the caves of Afghanistan, I liked him despite or perhaps because of his brashness.  He certainly wasn&apos;t the most considerate man, but neither was he a degenerate reprobate.&lt;br /&gt;&lt;br /&gt;I liked Jeff Bridges as Otto Stain, his treacherous business partner.  He was a perfectly sympathetic, paternal foil for Starke.  Right until the moment in which he admits that it was he who filed the injunction that prevented Starke from shutting down the weapons division.  It&apos;s all downhill for him after that, alas. &lt;br /&gt;&lt;br /&gt;I do have quibble with that plot point, actually.  Stain isn&apos;t a dolt; he couldn&apos;t&apos;ve been to have forged a partnership with Starke&apos;s father.  So why would he admit that he was actively working against Starke?  Wouldn&apos;t it be smarter to feign loyalty in public as he did for two-thirds of the movie and work against him in private?  Tony is brilliant when it comes to circuitry and microchips, but remarkably obtuse when it comes to interpersonal skills.  Had Stain kept his cakehole shut, Starke might not have understood the treachery until it was too late.  Stain could&apos;ve thrown his weight behind the board of directors and legally shifted the balance of power away from Starke, or he could&apos;ve remained with Starke and continued to ply his under the table wares.  Why out himself and give Starke a reason to go fishing in secret company files?&lt;br /&gt;&lt;br /&gt;I know, I know.  Handy plot contrivance to get the canon rolling, but still.  My mind can&apos;t help but pick at these things(just as it couldn&apos;t help but quail at the homophonic error splashed in three-foot letters over a faux &lt;i&gt;Rolling Stone&lt;/i&gt; cover.  It&apos;s &quot;Starke Takes the Reins&quot;, dammit.  &quot;Reigns&quot; are for  kings and dictators.  Your dictionary, it begs to be loved.  Fondle its pages now and then, and it will be good to you.  It will make you look smart even if you must grab your manly tackle and steer in order to change direction.)&lt;br /&gt;&lt;br /&gt;An A+ popcorn flick.&lt;br /&gt;&lt;br /&gt;&lt;a name=&quot;cutid3&quot;&gt;&lt;/a&gt;Stay for the post-credits teaser.  Samuel L. Jackson in an eyepatch=WIN.</description>
  <comments>http://laguera25.livejournal.com/378591.html</comments>
  <category>tv</category>
  <category>csi:miami</category>
  <category>movies</category>
  <category>iron man</category>
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  <guid isPermaLink='true'>http://laguera25.livejournal.com/378187.html</guid>
  <pubDate>Tue, 06 May 2008 00:35:35 GMT</pubDate>
  <title>Goddammit and Hallelujah</title>
  <link>http://laguera25.livejournal.com/378187.html</link>
  <description>Feliz Cinco de Mayo a todos que lo celebran.&lt;br /&gt;&lt;br /&gt;Because Roomie bestirred himself and cleaned our bathroom yesterday, a bathroom that heretofore took its decor from the Delta house after the shoot, I decided to treat him to &lt;i&gt;Iron Man&lt;/i&gt;.  Yes, I had ulterior motives, namely the acquisition of &lt;i&gt;Four Walls&lt;/i&gt;, but Roomie earned the movie, dammit.  With not just gusto, but with panache.  The man scrubbed the bathroom with nothing but generic dish soap, a scrubbie, and baby wipes.&lt;br /&gt;&lt;br /&gt;&lt;a name=&quot;cutid1&quot;&gt;&lt;/a&gt;So we went, and I was in a state of low-grade apoplexy all day.  Look, I understand that we wheeled folk are inconvenient to those who&apos;ve never had to fight their bodies for even the most limited of cooperation, but until the government drops all pretense and sanctions my execution because I haven&apos;t &quot;earned&quot; my life or &quot;proven&quot; its worth to society, I have rights.  I have the right to leave the house, use public transportation, and patronize public venues.  I have the right to go to the grocery store and buy food, and if I&apos;m slower or more cumbersome in that process than you think I should be, too damn bad.  Go fuck yourself.&lt;br /&gt;&lt;br /&gt;I have the right to be as selective in my food selection as you are, and I&apos;ll be damned if I&apos;ll rush or forego an item so you don&apos;t have to wait a whole ten seconds to pass me with your cart and three screaming children.  I have the right to look at the display of Nutri-Grain bars.  You, however, do not have the right to either nudge me from behind with your cart or attempt to sandwich me between your cart and the aisle so you can get in front of me.  This isn&apos;t the goddamn Wacky Races.  If it were, you can be assured that I&apos;d be Dick Dastardly with tactical nukes and you&apos;d be a bleeding puddle in the aisle, right next to those oh-so-crucial Wheat Thins that you needed NOW. &lt;br /&gt;&lt;br /&gt;Let me lay it out for those who don&apos;t know:  To some cripples, their wheelchair is part of them, a body part.  It is certainly within the realm of their personal space.  Touching it without their consent is tactless at best and a gross invasion of personal space and bodily autonomy at worst.  The law should recognize this as assault if it doesn&apos;t.  When you touch my chair, you are touching me.&lt;br /&gt;&lt;br /&gt;Don&apos;t.  If it is acceptable for a stranger to touch my chair without my consent  because it is convenient to do so, then I demand the right to touch others whenever I feel like it and without regard to their feelings.  I&apos;d like to punch David Caruso, for starters, and after that, I have a hot date with Eddie Cahill&apos;s inseam.&lt;br /&gt;&lt;br /&gt;I&apos;m beyond tired of the double standard in this world that enables others to touch me while expecting me to adhere to the more stringent(and just plain right)standard of never touching a stranger without permission.  I would never dream of shoving a stroller with a baby inside out of my way; the baby isn&apos;t mine, and I wouldn&apos;t want to upset the mother.  Yet people think nothing of nudging, jostling, or outright moving me by the push handles, as if I were a mere obstacle and not a person.&lt;br /&gt;&lt;br /&gt;And don&apos;t get your whinge on about my &quot;responsibility&quot; to stay out of others&apos; way.  I have neither more nor less obligation than anyone else, and frankly, it&apos;s hard to be swayed by that argument when the person who moved me then stands in the center of the aisle, cell phone clapped to their ear, while two children and a cart block forward progress. &lt;br /&gt;&lt;br /&gt;Fuck the lot of them.  I give as good as I get, oftentimes more than I get, and I&apos;m tired of being the better man.  Hell, I&apos;m just plain tired.&lt;br /&gt;&lt;br /&gt;I know this might not make sense to most of my able readers.  How can it?  You might think I&apos;m exaggerating.  If you do, how about a little experiment?&lt;br /&gt;&lt;br /&gt;Go to the mall or the grocery store.  Anywhere they offer store use of wheelchairs.  Best Buy does.  Go with a friend if you can.  Use the chair.  Spend thirty minutes or an hour at ass-level.  See how people react to you, how they treat you.  See how many even look at you.  Finish your shopping and leave.  The next time you go to that store, walk.&lt;br /&gt;&lt;br /&gt;See if there&apos;s a difference.  See if living at ass-level doesn&apos;t stink.&lt;br /&gt;&lt;br /&gt;I&apos;m so tired of the smell down here.&lt;br /&gt;&lt;br /&gt;It wasn&apos;t all bad, though.  We went to the Macaroni Grill for lunch, and the waiter had the loveliest west Texas, Matthew McConnaughy drawl.  I swear that my panties nearly spontaneously combusted every time he opened his mouth and gave new meaning to the phrase &quot;crown of fire&quot;.  Humma humma.  I&apos;d&apos;ve put my panties on my head and called it a Fruit of the Loom diadem if he had suggested it.  Good God.  Every time I think I&apos;m done with the whole human race, God sends me an incentive to renew my membership.&lt;br /&gt;&lt;br /&gt;Hallelujah.</description>
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  <category>disability</category>
  <category>miscellaneous</category>
  <category>rant</category>
  <category>rants</category>
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<item>
  <guid isPermaLink='true'>http://laguera25.livejournal.com/377877.html</guid>
  <pubDate>Mon, 05 May 2008 00:23:48 GMT</pubDate>
  <title>Eddie Cahill&apos;s Hockey Woe, and Rebecca and the Anti-Don, Don Eppes</title>
  <link>http://laguera25.livejournal.com/377877.html</link>
  <description>Now that the New York Rangers have been eliminated from the playoffs, I wonder if Eddie will do a final blog.  He skulked off last year without saying goodbye to his readers, and I chalked it up to his busy schedule and his need for a manly sulk.  If he vanishes again, then I&apos;ll call it a character flaw.  Oh, well, everyone has them, and in the grand pantheon of human foibles, slinking offline after your beloved team&apos;s defeat is minor, indeed.&lt;br /&gt;&lt;br /&gt;SPNfic has stalled once more.  If I can&apos;t jumpstart it by tonight, then I&apos;ll set it aside in favor of &lt;i&gt;Et Tu&lt;/i&gt; IX.  Rebecca has quite a bit to say about California and loneliness, and I&apos;m eager to see her reaction to Dr. Fleinhardt.  I already know that her reaction to Charlie&apos;s Don, Don Eppes, will be spectacular.  There&apos;s a lot of home in that Don, enough to hurt, and his devotion to the job above all else is going to rankle.  I anticipate friction and at least one cataclysmic bout of savage loggerheads at the Eppes family table when Eppes opens his cakehole and opines that spouses of law enforcement officers &quot;have to understand and expect to make sacrifices.  It&apos;s part of the deal.&quot;&lt;br /&gt;&lt;br /&gt;Oh, boy.&lt;br /&gt;&lt;br /&gt;But that&apos;s several chapters hence.  Part IX is just Rebecca, taking stock of her surroundings, the internal as well as the external, and shoring up her infamous and formidable defenses.  I&apos;m sure the quirky Dr. Fleinhardt will provide her with &lt;i&gt;years&lt;/i&gt; of story fodder when Don&apos;s tired of talking about work.  The white food alone...&lt;br /&gt;&lt;br /&gt;Anyway, that&apos;s what I hope to accomplish, but I owe it to Gordonbun and SPNfic to give him another nudge before I return him to the hutch for further incubation.</description>
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  <category>ficcing</category>
  <category>eddie cahill</category>
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  <guid isPermaLink='true'>http://laguera25.livejournal.com/377821.html</guid>
  <pubDate>Sat, 03 May 2008 17:55:31 GMT</pubDate>
  <title>Good and Bad and Agenda TV</title>
  <link>http://laguera25.livejournal.com/377821.html</link>
  <description>Because I don&apos;t have enough of a fic backlog, what with &lt;span class=&apos;ljuser&apos; lj:user=&apos;spn13&apos; style=&apos;white-space: nowrap;&apos;&gt;&lt;a href=&apos;http://community.livejournal.com/spn13/profile&apos;&gt;&lt;img src=&apos;http://p-stat.livejournal.com/img/community.gif&apos; alt=&apos;[info]&apos; width=&apos;16&apos; height=&apos;16&apos; style=&apos;vertical-align: bottom; border: 0; padding-right: 1px;&apos; /&gt;&lt;/a&gt;&lt;a href=&apos;http://community.livejournal.com/spn13/&apos;&gt;&lt;b&gt;spn13&lt;/b&gt;&lt;/a&gt;&lt;/span&gt; in sore need of a contribution, I signed up for &lt;span class=&apos;ljuser&apos; lj:user=&apos;spn_summergen&apos; style=&apos;white-space: nowrap;&apos;&gt;&lt;a href=&apos;http://community.livejournal.com/spn_summergen/profile&apos;&gt;&lt;img src=&apos;http://p-stat.livejournal.com/img/community.gif&apos; alt=&apos;[info]&apos; width=&apos;16&apos; height=&apos;16&apos; style=&apos;vertical-align: bottom; border: 0; padding-right: 1px;&apos; /&gt;&lt;/a&gt;&lt;a href=&apos;http://community.livejournal.com/spn_summergen/&apos;&gt;&lt;b&gt;spn_summergen&lt;/b&gt;&lt;/a&gt;&lt;/span&gt; 2008.  The assignment will be mailed out May 22, and the fic will be due July 4.  No pressure there.  The due date is problematic, IMHO, but I knew what it was when I signed up, so that&apos;s that.  I&apos;ll just have to finish ahead of time.&lt;br /&gt;&lt;br /&gt;Friday was a mixed bag.&lt;br /&gt;&lt;br /&gt;The Good:  I left the apartment and got some fresh air and sun for the first time in 2 weeks.&lt;br /&gt;&lt;br /&gt;I had chicken teriyaki at Sarku Japan.&lt;br /&gt;&lt;br /&gt;I bought &lt;i&gt;Anansi Boys&lt;/i&gt; by Neil Gaiman for seven bucks in hardcover.  It was on the publishers&apos; remainders table in Barnes and Noble.&lt;br /&gt;&lt;br /&gt;I had a candy apple.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;The Bad:  Roomie went to McDonald&apos;s for breakfast, and the special education valedictorian who took the order botched it; I got a sausage biscuit instead of a sausage McMuffin with egg.  They charged us for the McMuffin, however.  Ass maggots.&lt;br /&gt;&lt;br /&gt;As we were leaving the house to go to the mall, we noticed that the pipes outside were spurting water with the cheerful gusto of veteran bukkake competitors.  At one point, they spurted in sequence and bore an uncanny resemblance to those lighted fountains in Vegas that spout and surge to music.  If only I&apos;d had a copy of Handel&apos;s &quot;Messiah&quot;.  Luckily, after the Great Sewage Revolt of 2005, the complex installed flapper valves on the pipe ends so that toxic sewage couldn&apos;t back up into the apartments of those who might have weakened immune systems, or who might be quadriplegic and therefore unable to flee a turd tidal wave should one come surging forth from the drain and toilet.  So no sewage menaced my apartment from within.  We notified the complex manager, and when we returned, they&apos;d cleared the pipes and sprinkled the area with lime.&lt;br /&gt;&lt;br /&gt;I couldn&apos;t find &lt;i&gt;Four Walls&lt;/i&gt;, the latest &lt;i&gt;CSI:NY&lt;/i&gt; tie-in, at the bookstore.  Not a trace.  I&apos;ll have to check Borders next week.&lt;br /&gt;&lt;br /&gt;Speaking of &lt;i&gt;Four Walls&lt;/i&gt;, its author, Keith R.A. DeCandido, has oozed onto the TalkCSI boards to schmooze and pimp the book.  He even created a topic on the forum to pimp the release and trawl for comments.  I know it&apos;s harmless, and I know it&apos;s writerly instinct to pimp your babies, but it rubs me the wrong way.  Maybe it&apos;s because I know that if I were to post a thread dedicated to pimping my latest fanfic, I&apos;d get thwapped for posting off-topic and told to post it in the appropriate forum(but only if it&apos;s PG-13 or lower, of course).  But since he&apos;s a proficcer writing official fanfic, it&apos;s perfectly acceptable to schmooze, gladhand, and drop treacly, self-serving hints the size of Volvos about the status of his sparkly fic.  In the most heavily-trafficked fora instead of the most appropriate ones, like, oh, say, Merchandise.  Agh.&lt;br /&gt;&lt;br /&gt;Moving on...&lt;br /&gt;&lt;br /&gt;Before coming home, I ordered a 6&quot; roast beef from Subway.  What I got was a 6&quot; turkey.  Roast beef does not sound like turkey, nor does it look like turkey.  I can only surmise that the hideously misidentified &quot;sandwich expert&quot; was another mouthbreather from Club Special Ed, mayhap even kin to the valedictorian holding court at the McDonald&apos;s.  Greatness runs in families, you know.&lt;br /&gt;&lt;br /&gt;&lt;a name=&quot;cutid1&quot;&gt;&lt;/a&gt;Also bad this week:  The Very Special Episode of &lt;i&gt;NCIS&lt;/i&gt; in which we learn that Assumptions Are Bad, Many Iraqis Are Not, and Jardine Has a Secret.  I love TV that makes the viewer think; I loathe TV that spoonfeeds the viewer an agenda.  NCIS wasn&apos;t thought-provoking TV this week.  It was congratulatory, rah-rah, feel-good glurge.&lt;br /&gt;&lt;br /&gt;Oooh, Jamil learned English from osmosis.  Oooh, Jardine is a nice American because she gave a young Iraqi girl a laptop to make up for the fact that she can&apos;t go to school.  Oooh, Jardine has a comatose brother who was saved by Jamil&apos;s father after he was wounded in a firefight.  Oh, woe, Jamil&apos;s father was killed by trigger-happy Marines because they saw him performing CPR on the fallen soldier and thought he was finishing him off. &lt;br /&gt;&lt;br /&gt;The entire episode was a badly-contrived mess of flimsy pretenses stacked one atop the other so as to provide the platform for a group conscience massage.  &quot;We&apos;re not misguided, imperialist bastards for maintaining a military presence in Iraq three years after a non-declared war was declared over.  We&apos;re good guys.  See, we gave the cave-dwelling, backward brown people MacBooks.&quot;  Good God.  The presentation of the laptop at the end felt less like a gift and more like a bribe.  &quot;Some soldiers shot your father for trying to save a wounded Marine.  Here.  Have some technology.&quot;&lt;br /&gt;&lt;br /&gt;Crap.  Utter crap.  Since when does Jardine speak Farsi and Arabic?  And even if she does, are you really going to send an avowed germaphobe with no combat training as opposed to a highly trained Mossad agent?&lt;br /&gt;&lt;br /&gt;Fail.  Utter, utter fail.</description>
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  <category>tv</category>
  <category>books</category>
  <category>keith r.a. decandido</category>
  <category>csi:ny</category>
  <category>ncis</category>
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  <category>talkcsi</category>
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<item>
  <guid isPermaLink='true'>http://laguera25.livejournal.com/377388.html</guid>
  <pubDate>Thu, 01 May 2008 14:22:50 GMT</pubDate>
  <title>CSI:NY 418:  &quot;Price of Admission&quot;--SPOILERS</title>
  <link>http://laguera25.livejournal.com/377388.html</link>
  <description>Dear Writers,&lt;br /&gt;&lt;br /&gt;When choosing a surname, it would behoove you not to pick one that belonged to the pivotal villain in S3.  When the name &quot;Hank Bedford&quot; appeared on the computer screen, I was sure he was the older brother of Drew Bedford, the 333 Killer who had so recently menaced Stella and Mac.  For the life of me, I didn&apos;t understand why Mac failed to react like a man who&apos;d discovered a rattlesnake in his undershorts, and then I realized that the surname was coincidental and not meant to connect to prior cases.  In the future, maybe you could flex your creativity and choose fresher names to pull out of your asses.&lt;br /&gt;&lt;br /&gt;&lt;a name=&quot;cutid1&quot;&gt;&lt;/a&gt;But aside from that, I can honestly say this was the best episode of the season.  Stanton Gerrard always adds spark to the mix, and he didn&apos;t disappoint.  He was phenomenal as the protective yet oblivious father, and even though he and Mac were at odds when last we saw him, I&apos;m glad that he wasn&apos;t the stereotypical shady, overbearing father who used his departmental clout to impede an investigation.  On the main, he cooperated fully, and I was surprised that he was so confident in Mac&apos;s approach, especially since Mac was blackmailing him with a past procedural miscue in order to stymie an investigation into the Dobson affair.  Either Gerrard is a forgiving man, or the writers are hoping that we, the viewers, have suffered a critical collective head injury that prohibits us from remembering more than a season at a time.&lt;br /&gt;&lt;br /&gt;And oh, the shot of Gerrard standing behind the mirror while his daughter confessed to being raped broke my heart.  There was such raw anguish in his expression.  I&apos;ve always wondered how a cop would feel when faced with the reality that of all the people they&apos;d protected, they&apos;d failed to protect the ones they cherished most.  Thanks to Carmine Argenzziano, now I know.  God, what a gut-punch.&lt;br /&gt;&lt;br /&gt;Surely that must&apos;ve been going through his mind when he walked into that interrogation room and shot Hank Bedford between the eyes.  He meant to atone for his failure to protect his daughter, and he was willing to sacrifice his carefully cultivated and successful police career to do it.  He didn&apos;t care who saw him do it because he wanted it to be seen, for his little girl to know that Daddy had taken care of the monster who&apos;d hurt her.  A more rational mind would point out that his act would likely exacerbate her sense of guilt, but he wasn&apos;t thinking rationally.  He was thinking like a distraught father.&lt;br /&gt;&lt;br /&gt;And poor Natalie Gerrard.  She gets raped, keeps her silence for fear of the repercussions, and then sees those fears realized in the death of a guidance counselor who was trying to help her and the end of her father&apos;s career and impending murder conviction.  I&apos;ve no doubt that she&apos;ll be spending the rest of her life second-guessing her decision to speak out.  This case was a tragedy all around.  At the end of the day, nobody won.&lt;br /&gt;&lt;br /&gt;I noticed that even though Flack grabbed his gun and raced to the interrogation room with the others, he wasn&apos;t in the final door shot with Mac and Stella?  Where did he go?  Did he kip to the bathroom?  I always got the feeling that Gerrard was his rabbi in the department.  It&apos;ll be interesting to see his reaction to this latest fall from grace.  First Moran, then Truby, and now Gerrard.  Flack&apos;s got to be rattled that so many people he trusted have collapsed.&lt;br /&gt;&lt;br /&gt;Now a shallow note.  Okay, two.  Maybe three.&lt;br /&gt;&lt;br /&gt;Flack dodging the knife blow and punching the rapist in the face in one fluid motion was dead sexy.  Rowr.  I also noticed that Mr. Out Cold lunged at the side that was opened in the bomb blast.&lt;br /&gt;&lt;br /&gt;What wasn&apos;t so sexy was Flack&apos;s hair for most of the episode.  Maybe it&apos;s in an awkward stage because he&apos;s growing it out, but it looked oddly squared off, like the stylist was trying to give him a combover despite his full head of hair.  The sideburns have likewise reappeared.  Could the leather trenchcoat be on the horizon?  S1 Flack for the mmmm.&lt;br /&gt;&lt;br /&gt;Lindsay looked fifty years old in her processing montage.  The lighting in those scenes shot past unflattering into the sadistic.&lt;br /&gt;&lt;br /&gt;Once again, the show is sticking to its pattern of saving its best for the final four episodes, thereby ensuring that I&apos;ll be stupid enough to tune in next season and suffer through eighteen shit slurries for the six sweet, heady chocolate malts that make the show worth watching.&lt;br /&gt;&lt;br /&gt;A+  If only their upsurges in quality weren&apos;t as delayed and sporadic as a Viagra salute.</description>
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  <category>csi:ny s4</category>
  <category>tv</category>
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  <guid isPermaLink='true'>http://laguera25.livejournal.com/377286.html</guid>
  <pubDate>Wed, 30 Apr 2008 17:14:20 GMT</pubDate>
  <title>Busy Day In Hollywood, and None of It Good</title>
  <link>http://laguera25.livejournal.com/377286.html</link>
  <description>Well, it&apos;s been a big day in entertainment since I last posted.  First &lt;a href=&quot;http://in.reuters.com/article/hollywood/idINN2937686920080430&quot;&gt;Gary Dourdan was arrested on drug possession&lt;/a&gt;, and then Sean Avery of the New York Rangers collapsed this morning and was rushed to the hospital in reported cardiac arrest.  It was later reported that he had a ruptured spleen.  I&apos;m not sure if that was in conjunction with the cardiac arrest, or if the press leaped to that conclusion on hearing of his collapse because it was the most salacious.  In any case, Avery is recovering in a New York hospital.&lt;br /&gt;&lt;br /&gt;Gary Dourdan, though, is another kettle of fish.  I shouldn&apos;t be as shocked as I am because hey, it&apos;s Hollywood.  Who isn&apos;t snorting coke or downing Oxy by the fistful or chewing diet pills like Pez?  But I am shocked because it&apos;s Gary Dourdan, and he plays Warrick Brown, who I adored before S8, and even though I know that actors are not their characters, there&apos;s a space in my brain that insists that no one who plays someone as cool and decent as Warrick could possibly pass out behind the wheel of their SUV and be found with cocaine, heroin, and Ecstasy.  It doesn&apos;t jibe.  It&apos;d be like Charlie Eppes, geek god, being caught at a NAMBLA orgy or holed up in some flophouse with crab-infested hookers and a pyramid of crack phials.  It&apos;s incomprehensible.  And it makes me worry that one day, I&apos;m going to read about Eddie Cahill, forty and blasted out of his mind on coke on Santa Monica Boulevard. &lt;br /&gt;&lt;br /&gt;I&apos;ve neither right nor reason to worry about that.  I don&apos;t know Eddie and never will.  But I do worry because I associate him so strongly with Flack that it would be like Flack going on a bender.  Like it or not, fans--even sane, respectful fans--can be proprietary over the characters they&apos;ve come to love, and the actors who give them life.  So even though I know Gary is &lt;b&gt;not&lt;/b&gt; Warrick, my brain keeps bleating, &quot;Warrick on smack?  Impossible.&quot;&lt;br /&gt;&lt;br /&gt;&lt;a name=&quot;cutid1&quot;&gt;&lt;/a&gt;His arrest makes me wonder why he&apos;s really leaving CSI at the end of this season.  Is he really ready to move on, or has his alleged drug problem gotten out of control and begun to affect his work and his relationship with the rest of the cast?  Did the rest of the cast know he might have been on drugs?  How many of them might be snorting and toking up with him?  Is Petersen chopping the lines while Marg scores the crack?  Is Szmanda shooting up in the trailer while Eads rolls the spliffs?  If they didn&apos;t know about his alleged substance abuse, how could they not have known?  Granted, Dourdan never seemed anything less than crisp and professional in his role, so maybe he hid his alleged abuse by indulging only in private.&lt;br /&gt;&lt;br /&gt;Still, it&apos;s a shame, and I hope the arrest gets him the help he needs.</description>
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  <pubDate>Tue, 29 Apr 2008 16:00:14 GMT</pubDate>
  <title>A Gleeful Post</title>
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  <description>My tentative plan for the day is to watch &lt;i&gt;Numb3rs&lt;/i&gt; S2 and then write some SPNfic before NCIS tonight, but I have a tendency to get hideously sidetracked by things like books and TV shows, so we&apos;ll see how the plan fares.&lt;br /&gt;&lt;br /&gt;Right now, I&apos;m enjoying writing this fic.  I&apos;m sure that a week from now, I&apos;ll want to grab the innocent yet ever-growing bun by the scruff and heave him out a high window, but today, it&apos;s fun.  Maybe it&apos;s because I have no expectations for it, no unrealistic hopes of a feedback avalanche celebrating my genius and tai chi interpretation of Gordon Walker&apos;s backstory.  I just want to tell this story and let it be, and if it generates buzz, that&apos;s gravy.&lt;br /&gt;&lt;br /&gt;Lastly, a quote from Eddie Cahill&apos;s most recent hockey blog that fills me with glee:&lt;br /&gt;&lt;br /&gt;&lt;i&gt;The game ended no more than 2 minutes ago, and it’s taking tremendous effort to keep myself from throwing this computer out the window. Yes, I am one of those unreasonable and narcissistic fans who watches a game like that and thinks, “They must hate me, that’s why there doing this!” I can’t help it, I take it personally and I’m pissed. Hey, nobody’s perfect.&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;Hee!  So much Eddie love.  I&apos;m the same way with video games.  Despite the fact that I know the monster&apos;s conduct is governed by an impartial code generated by a sleep-deprived code god who doesn&apos;t know I exist, I become irate and hysterical when the boss kicks my ass.  I am convinced, you see, that the monster knows I am crippled and is rubbing my infirmity in my face by being more savage than it would be with able players.  It&apos;s patent rubbish.  I know this.  Yet logic disappears when the beatings begin, and I am tormented by visions of a goggle-wearing coder with a visible aura of funk, who laughs in sadistic glee as he inserts a &quot;screw the gimp&quot; parameter into the code.&lt;br /&gt;&lt;br /&gt;It&apos;s reassuring to know that I&apos;m not the only one with a persecution tinhat stashed in the back of the closet.</description>
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  <pubDate>Tue, 29 Apr 2008 02:56:30 GMT</pubDate>
  <title>In Which I Mourn My Fading Youth and Channel Butthead</title>
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  <description>Not much to say today because I am tired.  God knows why because all I&apos;ve done is watch TV and read more of &lt;i&gt;Dark Companions.&lt;/i&gt;  I meant to write as well but never got around to it.  I suspect it&apos;s because I&apos;ve had no tea today.  Why that should make a difference, I don&apos;t know, but I&apos;ve noticed that since I&apos;ve taken up tea, my creative output is directly related to its consumption.  I can still write without my daily cuppa, but the process isn&apos;t nearly as smooth, as organic, without my dose of sweet, warm, PG speed.  I wonder if I&apos;ve unwittingly developed a low-level addiction, or if I&apos;ve just associated tea with productivity and therefore &quot;need&quot; it to write efficiently.  I wonder because Neil Gaiman mentioned a temporary ebb in creative drive when he swore off tea recently.&lt;br /&gt;&lt;br /&gt;If I do have a jones for caffeine, it&apos;s nothing compared to my mother&apos;s caffeine monkey.  She needed two pots of coffee and three Diet Cokes daily to get through a day, and at one point, her kidneys nearly shut down because they weren&apos;t being flushed properly.  She added water to her intake after she spent a week in the hospital with a near-fatal kidney infection.&lt;br /&gt;&lt;br /&gt;Jones or not, it sucks to be spent by 9:30PM and staggering to bed like a narcoleptic drunk by 11PM.  Ah, for my youth, when 11PM-4AM were my prime writing hours and churning out five or six pages nightly was nothing.  But youth has fled in the face of adulthood and its attendant pleasures, like stiff joints and moderate myopia.  I should be grateful I&apos;m not mixing Geritol kamikazes and calling myself a rabble-rousing hellraiser for making it to sunset or &lt;i&gt;Jeopardy&lt;/i&gt;, whichever comes first.&lt;br /&gt;&lt;br /&gt;At least the SPNfic is progressing; Part II is nearly done.  Once it&apos;s finished, I&apos;ll return to the playing field of &lt;i&gt;Et Tu&lt;/i&gt;.  Haldirbun is still roaming the lettuce patch, as is Dowdbun, which, quite frankly, surprises me.  Dowdbun was a preemie kit, little more than a scrap of idea, gossamer as wedding lace.  I was sure he&apos;d die, yet here he is two years later, robust and hopping madly in an effort to attract my attention.  He&apos;s determined to be written, so much so that I&apos;ve begun having dreams about Tommy Dowd and the SVU world.&lt;br /&gt;&lt;br /&gt;I&apos;ve talked about ideas for a Tommy Dowd fic before; if I recall, I was going to give him a blind paramour named Molly Donovan.  The basic premise still holds, and Molly and Tommy are growing ever more vivid in my imagination, but I have two problems.&lt;br /&gt;&lt;br /&gt;The first is that I&apos;ve no idea what it&apos;s like to be blind; this might not seem like a major hurdle, but it is.  Since I don&apos;t know what it means to be blind, and cannot possibly know short of severing my optic nerves, I run the risk of misrepresenting the experiences of the blind, or worse yet, insulting the blind.  I have no idea how the blind conduct transactions involving paper money, for instance, or what sex is like without the visual stimulus.  I can&apos;t fake it, nor would I want to.  I know how angry I&apos;d be if someone who&apos;d never spent an hour in a wheelchair tried to write about that experience and got it wrong.  I would, in fact, think they were a clueless clod with delusions of arthouse greatness.&lt;br /&gt;&lt;br /&gt;My second problem is more universal.  I have no idea where to stop.  I have ideas for dozens of great scenes and dialogue, but if I wrote them all, the story would span eight years.  I need to find a stopping point before I start.&lt;br /&gt;&lt;br /&gt;If I do write it, it&apos;ll be nice to write smut without fretting over whether or nor each position is possible within the limitations of a disabled partner.  Even in writing, crip sex is hard.&lt;br /&gt;&lt;br /&gt;Ha, ha, I said sex was &apos;hard&apos;.  And now that I&apos;m channeling Butthead, I need to sleep.  Now.&lt;br /&gt;&lt;br /&gt;&lt;b&gt;ETA&lt;/b&gt; for the hell of it:&lt;br /&gt;&lt;br /&gt;Commas, people, commas. They&apos;re the orthographic equivalent of Nerf bumpers and keep your drunken clauses from rear-ending one another on the Strunk and White Freeway.</description>
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  <pubDate>Sun, 27 Apr 2008 15:42:30 GMT</pubDate>
  <title>Reviewing Ramsey Campbell and Bitching at Numb3rs</title>
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  <description>First and foremost, &lt;span class=&apos;ljuser&apos; lj:user=&apos;niamh_sage&apos; style=&apos;white-space: nowrap;&apos;&gt;&lt;a href=&apos;http://niamh-sage.livejournal.com/profile&apos;&gt;&lt;img src=&apos;http://p-stat.livejournal.com/img/userinfo.gif&apos; alt=&apos;[info]&apos; width=&apos;17&apos; height=&apos;17&apos; style=&apos;vertical-align: bottom; border: 0; padding-right: 1px;&apos; /&gt;&lt;/a&gt;&lt;a href=&apos;http://niamh-sage.livejournal.com/&apos;&gt;&lt;b&gt;niamh_sage&lt;/b&gt;&lt;/a&gt;&lt;/span&gt;, your parcel arrived yesterday.   I can&apos;t thank you enough for the books and the chocolate.  I&apos;ve already torn into both.&lt;br /&gt;&lt;br /&gt;First, the books.  The divine Mrs. C chose for me the following:&lt;br /&gt;&lt;br /&gt;&lt;i&gt;Dark Companions&lt;/i&gt;, which I&apos;m reading now.&lt;br /&gt;&lt;br /&gt;&lt;i&gt;Ancient Images&lt;br /&gt;&lt;br /&gt;Midnight Sun&lt;br /&gt;&lt;br /&gt;The Doll Who Ate His Mother&lt;br /&gt;&lt;br /&gt;Obsession&lt;br /&gt;&lt;br /&gt;The Hungry Moon&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;So far, I&apos;ve read five stories from &lt;i&gt;Dark Companions&lt;/i&gt;.  I&apos;ve liked all of them, but &quot;Mackintosh Willy&quot; is my current favorite.  It&apos;s an oblique story that never lets you see just what is going on, though you suspect it&apos;s dreadful.  What &lt;i&gt;did&lt;/i&gt; happen to Mackintosh Willy, and what&apos;s so horrible about old, metal cola caps?&lt;br /&gt;&lt;br /&gt;Plenty if you&apos;re Ramsey Campbell.&lt;br /&gt;&lt;br /&gt;&quot;Napier Court&quot;, on the other hand, was a bit too coy for my liking.  Shadow puppets can only frighten for so long, and how long that fright lasts is--for me, any road--a byproduct of how strongly we can identify with the protagonist.  If we like them, we want them to live.  If we don&apos;t, fuck &apos;em.  In this case, I rather wanted weak-willed Alma(who reminded me very much of Eleanor, the starry-eyed, downtrodden sacrifice to Hill House)to do the decent thing and die before I killed her.  As such, the story fell flat for me.&lt;br /&gt;&lt;br /&gt;&quot;Down There&quot; was the median between the extremes of the nausea-inducing heebie jeebies of &quot;Willy&quot; and the eye-rolling, &quot;Dear God, will you kill this stupid bint already?&quot; teeth-gnashing irritation of &quot;Napier Court&quot;.  The buildup to the monsters&apos; revelation is fraught with tension, and Campbell is excellent at conveying a sense of isolated claustrophobia in the heart of populous urban sprawl.  The monsters themselves, however, are maddeningly indistinct, and my mind isn&apos;t sure whether to conjure a demonic Pillsbury Dough Boy or mutant dust bunnies.  Oblique horror is excellent when done well, but no one can do it all the time, not even Campbell.  Sometimes you have to see the monster to be satisfied.&lt;br /&gt;&lt;br /&gt;The rains will roll in this afternoon, so I&apos;m sure I&apos;ll read more today.  Monday, too, since the forecast might as well read, &quot;Don&apos;t make any fucking plans.  Hope you like Monopoly.&quot;&lt;br /&gt;&lt;br /&gt;&lt;a name=&quot;cutid1&quot;&gt;&lt;/a&gt;Ramsey Campbell stories aren&apos;t the only place to find aggravating, simpering women.  I liked Robin when she returned to &lt;i&gt;Numb3rs&lt;/i&gt;.  She was strong and refused to take guff from Don Eppes.  I can only surmise that unlike most cocks, which come with mystical healing powers, Eppes&apos; dong comes equipped with a terrible power to reduce capable women to nagging, clingy harpies.  First Liz Warner, and now Robin.&lt;br /&gt;&lt;br /&gt;She actually gets mad at him because the agent calling him to the scene is a woman; granted Don has slept with his particular woman, but given the rate at which he goes through love interests, I&apos;d wager he&apos;s boned half of L.A.  She snips and snipes and shows her ass while he&apos;s getting ready to leave, and then she gets even more indignant because &lt;b&gt;he puts on a clean shirt.&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&quot;If it&apos;s not like that, why are you putting on a clean shirt?&quot;&lt;br /&gt;&lt;br /&gt;Hello?  Maybe because he doesn&apos;t want to show up at an abduction scene reeking of ass and the fragrant eau de snatch of your Massengill.  Maybe he wants to present himself as a professional and not as a slob who rolled up after a lazy fuck.  Jesus Christ.  With the exception of Amita and Megan, the females of &lt;i&gt;Numb3rs&lt;/i&gt; have been portrayed as needy, clingy, manipulative, castrating, and predatory.  Why must women undergo an appalling personality transplant once they&apos;ve been touched by Teh Cock? &lt;br /&gt;&lt;br /&gt;Sex is wonderful, but holy God, it&apos;s not &lt;i&gt;that&lt;/i&gt; good, though I&apos;m sure most men would beg to differ.&lt;br /&gt;&lt;br /&gt;Boo, &lt;i&gt;Numb3rs&lt;/i&gt;, for perpetuating the notion that all women are ruled by their need for the Sacred Peepee and will instantly become whiny, nagging fourteen-year-olds the moment their chosen Peepee is threatened by an encroaching vajayjay.</description>
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  <pubDate>Fri, 25 Apr 2008 16:29:29 GMT</pubDate>
  <title>Watch Guera Gnaw on Some S5 Flack SPOILERS</title>
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  <description>Dear Supernatural,&lt;br /&gt;&lt;br /&gt;I love Sam.  I love Dean.  You&apos;re hilarious, angsty hypnocrack.  If you weren&apos;t, I wouldn&apos;t be knee and elbow-deep in a long, minor character-driven fic that&apos;s been driving me bugshit since February.  But there are times, like last night, when your wink-wink-nudge-nudge &quot;watch us thumb our noses at the establishment&quot; humor is too much.  &quot;Ghostfacers&quot; was irksome as hell, and I will be thrilled when you return to advancement of your myth arc next week.  You&apos;re funniest when you&apos;re not trying to be.&lt;br /&gt;&lt;br /&gt;La Guera&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a name=&quot;cutid1&quot;&gt;&lt;/a&gt;Season 5 spoilers for &lt;i&gt;CSI:NY&lt;/i&gt; finally show us Flack&apos;s family.  Apparently, he has a younger sister named Melanie who works at a dance club, and with whom he has a conflicted, contentious relationship.  Additionally, both Mama and Papa Flack are alive and mentioned.&lt;br /&gt;&lt;br /&gt;As someone who&apos;s been howling for Flack development for four seasons, I am thrilled to see this and hope it leads to some meaty material for both Eddie and Flack.  It&apos;s about time we see a glimpse of the person he is when he&apos;s just Don and not Det. Flack, Big Damn Hero.  I hope that Melanie isn&apos;t forgotten after the episode in which she appears, and cast into the plot chasm that swallows undesirable siblings, like poor Louie Messer, who had his brains scrambled for twenty minutes of angst and was never seen again.&lt;br /&gt;&lt;br /&gt;Then again, if she, too, is pitched into the maw of Scrivener Incompeto, Eyeless Beast of Bulwer-Lytton, Eater of Writerly Competence, mayhap she and Louie will get together down there, do a little dance, make a little love.  Can&apos;t you imagine the righteous indignation of the brothers on that score?&lt;br /&gt;&lt;br /&gt;&quot;What&apos;s your brother doing with my sister, Messer?&quot;&lt;br /&gt;&lt;br /&gt;&quot;Maybe your sister there made the first move.&quot;&lt;br /&gt;&lt;br /&gt;&quot;She wouldn&apos;t do that.&quot;&lt;br /&gt;&lt;br /&gt;&quot;You sayin&apos; she&apos;s too good for Louie, Flack?&quot;&lt;br /&gt;&lt;br /&gt;~fistfight~&lt;br /&gt;&lt;br /&gt;Anyway, where was I?&lt;br /&gt;&lt;br /&gt;Oh, yes.  I hope Melanie doesn&apos;t become Melanie the Amazing Disappearing Sister.  That being said, neither do I want her to become a prominent focal point.  An appearance now and then, a mention.  But please God, don&apos;t subject us to X seasons of Flack the Good Brother running interference for his irresponsible, Black Sheep Sister.&lt;br /&gt;&lt;br /&gt;It&apos;s too early to draw any conclusions yet, so I&apos;m going to reserve judgment until she appears.  It could go either way or in a direction no one anticipates.&lt;br /&gt;&lt;br /&gt;The addition of a sister and the revelation that his parents are alive does raise questions, however.  If his siblings(brothers were mentioned in &quot;Time&apos;s Up&quot;) and parents were alive, and the sister at least lives in the city, why were none mentioned or involved in COTP?  Even if there were sibling tension between Don and Melanie, wouldn&apos;t it have been set aside temporarily after she learned he&apos;d nearly died?  Maybe the tension stems from her absence then, but that&apos;s a stretch.  The writers have never been that subtle or creative.  Melanie aside, wouldn&apos;t Mama Flack have come running?&lt;br /&gt;&lt;br /&gt;And if his parents are alive, why can&apos;t he go home for corned beef hash?  Gavin Moran asked after Flack Senior in S1, which presumes that Flack could still visit them from a geographic standpoint.  So is Flack not visiting because he doesn&apos;t feel comfortable, or because he isn&apos;t permitted to do so because of a familial rift?  If there is a rift, was it caused by his decision to join the police force?  Did Senior resent it?  Did Mama want &quot;better&quot; for him?&lt;br /&gt;&lt;br /&gt;I don&apos;t know why I&apos;m asking these questions because I&apos;d bet my grocery money that Flack having siblings wasn&apos;t included in the original conception of the character.  The writers probably brainstormed the idea over a hookah bong in talks for S4, and I&apos;d wager Melanie was a product of a margarita chug during the strike.  The writers have too long a history of inventing backstories only to change them on a whim to fit the plot of the moment.&lt;br /&gt;&lt;br /&gt;As for what the addition of a living sister means to my fannish works, that&apos;s hard to say.  I certainly have no intention of introducing her into my crackverse since so much of that Flack is predicated on him being a brother perpetually in mourning and a son with a guilty conscience.  Integrating her into my canon work will take some doing, however, since my invented dead sister features there as well, and no siblings were ever mentioned.&lt;br /&gt;&lt;br /&gt;I guess I&apos;ll have to think on it.</description>
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  <pubDate>Wed, 23 Apr 2008 18:15:16 GMT</pubDate>
  <title>NCIS 516:  &quot;Internal Affairs&quot;-MAJOR SPOILERS</title>
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  <description>The Red Bloat has come at last, and if it weren&apos;t for caffeine, I&apos;d be an inert, drooling lump of sloe-eyed woe, gazing blearily at the screen and wondering why I need a coma after a twelve-hour sleep.  I&apos;m in second gear as it is.  Still, the last few days have been good ones, so I&apos;ll take it.&lt;br /&gt;&lt;br /&gt;&lt;a name=&quot;cutid1&quot;&gt;&lt;/a&gt;&lt;i&gt;NCIS&lt;/i&gt; last night was incredible.  Words cannot express how much I loathe Director Shepard, and after last night, I feel utterly vindicated in that loathing.  If Jenn killed Le Grenouille, as the show clearly implied, and subsequently used her team as a collective human shield with which to deflect the blame, then she can kiss my asymmetrical ass.  After I&apos;ve gone without bathing for three days.  That&apos;s not just obsession, that&apos;s open sociopathy and a blatant misuse of her team&apos;s loyalty.  She obviously thought nothing of putting Tony in the untenable position of crushing and betraying the woman he loved(and after he and Jeanne&apos;s last encounter, you can bet that&apos;s going to have long-standing resonance), and though she cleared Tony with her credulity-mangling interrogation fu, I wonder if she would&apos;ve let him swing if her Jedi mind mojo had failed. &lt;br /&gt;&lt;br /&gt;And Jeanne Benoit...oh, dear.  I never liked Jeanne Benoit; I found her needy, demanding, and emotionally manipulative, but no one deserves to be so thoroughly ill-used.  Her &quot;I wish I&apos;d never met you.&quot; just stung. &lt;br /&gt;&lt;br /&gt;I did notice a bizarre continuity snag, however.  Fornell told Ducky that Le Grenouille had been dead 2 days when his body was found.  Yet Jeanne told Gibbs that after the break-up with Tony, she&apos;d done a fellowship in Gabon, one that presumably lasted several months, unless her transatlantic jet handily doubles as a hippo-dodging canoe.  Later, she tells Jenn that her father had called her on the night he died, but she&apos;d hadn&apos;t gone to see him. &lt;br /&gt;&lt;br /&gt;If he died before her fellowship, which I presume because she was doing some serious driving and crying, and her fellowship lasted months, how could Le Grenouille have been dead for only two days?  Has the FBI just been sitting on the investigation for that long?&lt;br /&gt;&lt;br /&gt;Gibbs and his prehistoric technology FTW!  That ancient computer made my antique look hip.  And oh, the nostalgia when he plonked that dot matrix printer in front of McGee.  I still remember tearing off the perforated strips of paper before I handed in my homework back in the day.&lt;br /&gt;&lt;br /&gt;My pick for the cast member who suffers the dramatic exeunt by murder:  Abby.  Imagine the emotional impact.  It would also drastically lessen the appeal of the show, in my opinion, but I&apos;m just a viewer.  What do I know?</description>
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  <pubDate>Tue, 22 Apr 2008 14:44:12 GMT</pubDate>
  <title>Huzzah!  More Eddie Squee.  Macho-Flavored, of Course</title>
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  <description>I am a happy Guera because Eddie Cahill finally updated his hockey blog.  The more I read of his hockey blog, the more I wish he kept a personal blog.  I know why he doesn&apos;t; the crazies and hangers-on and celebrity stalkers would pile on like funk on an unwashed twat, but I still wish for it.  He&apos;s so articulate and engaging.  I will admit that he and I would likely disagree on certain issues, but since he would never be stupid or insane enough to open his personal blog to comments, it wouldn&apos;t matter.  Besides, I want to know his thoughts on TV, politics, and life in the real world where the rest of us live.&lt;br /&gt;&lt;br /&gt;Gordonbun fought his way to the front of the ficcing hutch, so he&apos;s my next project.  I&apos;m going to finish Part II and set him aside in favor of &lt;i&gt;Et Tu&lt;/i&gt; IX.  I started writing late last night, so I only managed five hundred words.  I&apos;d planned on scritching like mad today, but I had an emofest, sleepless night last night, wondering how in the hell my life has gone so far afield of where I thought I&apos;d be.  Thus, productivity on the ficcing front might be negligible.  I&apos;ll most likely read or watch brainless television until I&apos;m tired  enough to nap.&lt;br /&gt;&lt;br /&gt;Cutting caffeine may be good for my body, but it&apos;s wretched for my soul.  I haven&apos;t written like a house afire since I put down the Coke and tea.  Hell, I&apos;m lucky if I&apos;m awake past 10:30.  The virtuous might lead a goodly, upward-treading existence, but God places into the heart of every man a vice so that he may truly live.&lt;br /&gt;&lt;br /&gt;Viva caffeine.</description>
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  <pubDate>Mon, 21 Apr 2008 22:21:17 GMT</pubDate>
  <title>Plastic to Burn</title>
  <link>http://laguera25.livejournal.com/375459.html</link>
  <description>Dear &quot;l33t&quot; haxx0rz,&lt;br /&gt;&lt;br /&gt;I am not a noob, and when you send me a message purportedly from my ISP requesting sensitive information that is none of your business, perhaps you should invest in a spellchecker or take a remedial writing course so that your illiterate scribblings won&apos;t send up red flags enough to make Stalinist Russia proud.&lt;br /&gt;&lt;br /&gt;No love, you simpering, bare-assed fucktards,&lt;br /&gt;&lt;br /&gt;La Guera&lt;br /&gt;&lt;br /&gt;I made the trek to Sam Goody this morning, and predictably, I was thwarted in my bid for cash by the &quot;we don&apos;t have that much cash on hand&quot; excuse.  I did get $84.33 in store credit, however. &lt;br /&gt;&lt;br /&gt;I didn&apos;t spend any because I&apos;m tired of being reeled in by crappy horror flicks.  The bonus features on my &lt;i&gt;Dexter S1&lt;/i&gt; DVDS included two episodes of &lt;i&gt;The Brotherhood&lt;/i&gt;, Jason Isaacs&apos; Showtime series.  I liked what I saw and would&apos;ve snagged it, but lo, they had none.  So, rec me a TV show, please.  Are there any shows you recommend I try?  &lt;i&gt;Deadwood&lt;/i&gt;?  &lt;i&gt;Battlestar Galactica&lt;/i&gt;?  &lt;i&gt;Torchwood&lt;/i&gt;?  Older shows like &lt;i&gt;The Sopranos&lt;/i&gt; or &lt;i&gt;Carnivale&lt;/i&gt; or &lt;i&gt;Six Feet Under&lt;/i&gt;?  Now&apos;s your chance to shill for your fannish cause and lure a convert to the fold.&lt;br /&gt;&lt;br /&gt;I&apos;m disappointed that they wriggled out of the cash trade-in, though; it would&apos;ve padded the grocery budget for the rest of the month.  I can&apos;t complain too loudly.  Chef Boyardee is better than an empty belly.&lt;br /&gt;&lt;br /&gt;In other news, I need to get on the ficcing stick.  Time to grope blindly inside the hutch, seize a scruff, and see which bun comes out.&lt;br /&gt;&lt;br /&gt;Lastly, a final pimp for &lt;a href=&quot;http://laguera25.livejournal.com/374809.html&quot;&gt;History Lessons III&lt;/a&gt;.</description>
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  <pubDate>Sun, 20 Apr 2008 15:25:48 GMT</pubDate>
  <title>Sundays Without the Chore of Church Are Still Boring</title>
  <link>http://laguera25.livejournal.com/375285.html</link>
  <description>&lt;a href=&quot;http://laguera25.livejournal.com/374809.html&quot;&gt;History Lessons III&lt;/a&gt; is finally done, thank you, Jesus, so if anyone has been following along, here&apos;s the next breadcrumb on the trail.  I&apos;ll slap another link up on Monday, and that will be that.  Right now, I&apos;m eeny-meeny-miny-moing between &lt;i&gt;Et Tu&lt;/i&gt; Part IX, the Haldirfic, and the SPNfic that I put on hold as my next project.  I&apos;ll make up my mind tonight so that I can get that train rolling ASAP.&lt;br /&gt;&lt;br /&gt;Other than that, I&apos;m just lolling about, waiting for the arrival of the Red Bloat and wondering how much my stash of culled DVDs will fetch at the Sam Goody/FYE.  This assumes, of course, that the adendritic nimrods in charge don&apos;t arrest us on suspicion of shoplifting because some of the DVDs were bought there and still bear the stickers so assaying.  On the one hand, I&apos;m hopeful because there are so many, but on the other, most are shitty horror films not worth the $12-$20 I paid for them.  Thus, the nasal miner working the register might offer me a nickel per and consider it generous.  I&apos;m hoping for $80, but I&apos;ll consider $30 a win.&lt;br /&gt;&lt;br /&gt;So, that&apos;s my Sunday in a nutshell.  Ain&apos;t it grand?</description>
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  <pubDate>Sat, 19 Apr 2008 17:24:10 GMT</pubDate>
  <title>FIC:  History Lessons 3/8</title>
  <link>http://laguera25.livejournal.com/374809.html</link>
  <description>Title:  History Lessons 3/8(Sheldon Hawkes)&lt;br /&gt;&lt;br /&gt;Author:  &lt;span class=&apos;ljuser&apos; lj:user=&apos;laguera25&apos; style=&apos;white-space: nowrap;&apos;&gt;&lt;a href=&apos;http://laguera25.livejournal.com/profile&apos;&gt;&lt;img src=&apos;http://p-stat.livejournal.com/img/userinfo.gif&apos; alt=&apos;[info]&apos; width=&apos;17&apos; height=&apos;17&apos; style=&apos;vertical-align: bottom; border: 0; padding-right: 1px;&apos; /&gt;&lt;/a&gt;&lt;a href=&apos;http://laguera25.livejournal.com/&apos;&gt;&lt;b&gt;laguera25&lt;/b&gt;&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Rating:  FRM for graphic discussion of death and autopsies&lt;br /&gt;&lt;br /&gt;Fandom:  CSI:NY&lt;br /&gt;&lt;br /&gt;Pairing:  N/A; Gen&lt;br /&gt;&lt;br /&gt;&lt;b&gt;SPOILERS:&lt;/b&gt;  Spoilers for 402, &quot;The Deep; mentions of 309, &quot;Here&apos;s to You, Mrs. Azrael&quot;.&lt;br /&gt;&lt;br /&gt;Disclaimer:  All recognizable characters, places, and events are property of Anthony Zuiker, Jerry Bruckheimer, CBS, and Alliance-Atlantis.  No infringement is intended, and no profit is being made.  For entertainment only.&lt;br /&gt;&lt;br /&gt;&lt;b&gt;A/N:&lt;/b&gt;  Written for the &lt;span class=&apos;ljuser&apos; lj:user=&apos;all_hallows_fic&apos; style=&apos;white-space: nowrap;&apos;&gt;&lt;a href=&apos;http://community.livejournal.com/all_hallows_fic/profile&apos;&gt;&lt;img src=&apos;http://p-stat.livejournal.com/img/community.gif&apos; alt=&apos;[info]&apos; width=&apos;16&apos; height=&apos;16&apos; style=&apos;vertical-align: bottom; border: 0; padding-right: 1px;&apos; /&gt;&lt;/a&gt;&lt;a href=&apos;http://community.livejournal.com/all_hallows_fic/&apos;&gt;&lt;b&gt;all_hallows_fic&lt;/b&gt;&lt;/a&gt;&lt;/span&gt; ficathon.  Sheldon was originally slated to draw zombies from the monster tarot, but he had other ideas.  Prompt:  the restless dead.&lt;br /&gt;&lt;br /&gt;&lt;a href=&quot;http://laguera25.livejournal.com/338797.html&quot;&gt;Part I-Lindsay Monroe&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href=&quot;http://laguera25.livejournal.com/348815.html&quot;&gt;Part 1/2-Danny Messer&lt;/a&gt;  &lt;a href=&quot;http://laguera25.livejournal.com/349144.html&quot;&gt;Part 2/2-Danny Messer&lt;/a&gt;     &lt;br /&gt;&lt;br /&gt;     &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a name=&quot;cutid1&quot;&gt;&lt;/a&gt;Sheldon Hawkes had always wondered how he would die.  He supposed it was natural, an expected consequence of spending most of his life surrounded by the dying and the dead.  The illusion of immortality was hard to maintain when you were wrist-deep in a cadaver&apos;s lower intestine, holding a cold, blue-tinged loop of internal plumbing that would never complete the task for which it had been designed.  Death was not subtle.  It was gaudy and unapologetic and the most dependable of God&apos;s servants.  It was also, he thought as he tugged fruitlessly on his unmoving, rapidly numbing arm, utterly unpredictable.&lt;br /&gt;     &lt;br /&gt;He had not expected to die today, trapped below the murky, brackish waters of Long Island Sound by the capricious shift of a rusting bulkhead.  If he had had any inkling that his time was up, that his last breaths would taste of river water and recycled air and the plastic of his regulator, he wouldn&apos;t have squandered so many of them making small talk with Danny as they&apos;d suited up, nor would he have ignored his urge earlier that morning to put some Miles Davis on the stereo while he&apos;d gotten ready for work.  He would&apos;ve taken the time to pad across his bedroom floor and savor the rough, companionable rasp of the matt beneath his soles.  He would&apos;ve remembered to register the cool, smooth plastic of the CD jewel case.  He would&apos;ve put Miles into the player and let the music wash over him, would&apos;ve breathed in the notes like incense.&lt;br /&gt;     &lt;br /&gt;Maybe he even would&apos;ve danced, rocking and swaying and gliding to the music as he shaved and dressed.  He certainly would&apos;ve hummed along as he restocked and organized his field kit.  He would&apos;ve sprinkled half-formed words over the contents, gris gris dust to ward off evil spirits.  He would&apos;ve turned the music up until it rattled in his bones and vibrated in his teeth, a warning dimly recalled.  &lt;br /&gt;     &lt;br /&gt;There were other things he would&apos;ve remembered if he&apos;d known.  The taste of chicory coffee, strong and rich and laced with a bitterness that spiced the tongue.  The fire of the scant leaves that clung to the skeletal branches of the lone tree visible from his small kitchen window.  The leaves were the only brightness in a landscape of grey concrete, black asphalt, and grimy brick.  They were fire amid the ashes, and they reminded him of a biochemistry professor he&apos;d had in his Princeton days.  Deborah Kleman, her name had been.  He hadn&apos;t recalled her name in years, since he&apos;d left her class with an A, if he was honest, and he knew deep in his guts that he wouldn&apos;t have thought of it now if he wasn&apos;t drowning.  Dying brought all the dead from their graves to watch the spectacle.  But he&apos;d thought of her face often enough, and her unmistakable hair.&lt;br /&gt;     &lt;br /&gt;Dr. Deborah Kleman had been a fierce, brilliant woman with a quick tongue and red hair, or it had been red once upon a time.  By the time their paths had crossed, it had been grey fading to white save for a thin, glossy ribbon of red.  Every time he looked at the leaves clinging to the tree and dwindling in number by the day and hour, he&apos;d thought of her, a fading goddess with a last vestige of her youthful beauty.  If he&apos;d known that he was going to die today, he would&apos;ve paused by the kitchen window to wish her well and bid her wait for him on the other side of the river so that he might be greeted by a familiar face.  Presumptuous, perhaps, considering that until now, he&apos;d had no memory of her name, but beggars couldn&apos;t be choosers, and besides, he was only human beneath his civilized polish of an Ivy-league education and a genius IQ.&lt;br /&gt;     &lt;br /&gt;Deborah Kleman had died six years ago, when he&apos;d been a coroner&apos;s assistant.  She&apos;d put the business end of her late father&apos;s Sig Sauer into her mouth and pulled the trigger, silenced her quick tongue forever to avoid the ravages of inoperable brain cancer.  She&apos;d left the tumor and most of her brain on the pillow and the headboard of her four-poster bed.  He hadn&apos;t recognized her at first; she&apos;d been just another nude body on the slab, naked and cold and anonymous without her human makeup.  Then his fellow assistant had washed the blood and drying clumps of brain from her hair, and recognition had come like a thunderbolt, sparked by the familiar strands of red amid brittle, chemo-ravaged white.  He&apos;d been so surprised that he&apos;d forgotten to wash her feet.  He&apos;d just stared at what had remained of her gaunt, papery face.  Death had become perversely familiar, and he&apos;d been glad he wasn&apos;t the one who would open her up and catalogue her parts, injuries, and final indignities, an archivist of the dead who reduced people to the sum of their pitiful ends.&lt;br /&gt;     &lt;br /&gt;He wondered where she was now, and if she regretted her decision not to stand and fight, not to wring a few more years from the well-oiled, ancient treadle of Clothos&apos; loom.  Logic and years of medical training whispered that Deborah Kleman regretted nothing because the dead ceased to exist the instant the brain died.  Logic insisted that the soul was a human construct, a romantic name for those higher brain functions that made man different from his tree-dwelling forefathers.  Logic insisted that the soul was just a synonym for hope.  But logic was cold comfort when cold water was worming its way inside your wetsuit with eager, victorious fingers and your regulator was giving nothing but a dry, ominous death rattle.&lt;br /&gt;     &lt;br /&gt;Logic didn&apos;t count for beans as his Aunt Ruby would&apos;ve said, and then she did say it, the words carried to him on the torpid, silty water that lapped at his ears with a frigid, lascivious tongue.  &lt;br /&gt;     &lt;br /&gt;&lt;i&gt;Logic don&apos;t count for beans, Sheldon, baby,&lt;/i&gt; she murmured in her gravelly, old woman&apos;s rasp that bore witness to fifty years of singing in the church choir on Sundays, Mondays, Wednesdays, and sometimes Thursdays, and to the shots of blackcurrant brandy that she took in the winter to warm her belly and keep her arthritic fingers limber.  &lt;i&gt;Oh, logic&apos;s nice and all, and it&apos;s important in its place-don&apos;t you go thinking your education isn&apos;t important, you hear?  But hope is what gets you out of bed in the morning.  Hope is what makes your heart beat.&lt;/i&gt;    &lt;br /&gt;     &lt;br /&gt;In his mind&apos;s eye, he saw her as she&apos;d been when he was young, before cancer and dementia had conspired to rob her of herself and leave her shriveled and without history in the same hospital where he&apos;d later spent most of his residency.  She was sharp-eyed and serene in her rocking chair by the living room window.  That rocking chair had sat in the same place for thirty years, and the runners had cut twin grooves in the carpeting.&lt;br /&gt;     &lt;br /&gt;&lt;i&gt;It was those grooves in the carpet that convinced you she was dead,&lt;/i&gt; interjected a droning, matter-of-fact, med school lecturer voice. &lt;i&gt; After the battle was over and modern medicine came out on the losing end, you and your two cousins volunteered to go through her things so her sisters wouldn&apos;t have to rub salt in new and weeping wounds.  You came on a Saturday morning and boxed and sorted and assigned value to the signposts of a finished life.  Scraps of paper with names and long-ago dates on them.  Pictures of people none of you recognized.  Her box of recipes.  The box of toys she kept in the closet for when nieces and nephews and grandchildren descended on her orderly life-dolls with missing eyes and limbs reattached with a surgeon&apos;s precision, Legos, Lincoln Logs with thirty-four roofs and ten logs, Hot Wheels, and teddy bears with quilt-patched bellies, mama bears who&apos;d doubtlessly given birth by emergency C-section.  The trashy bodice rippers that were her only vice.  The degree she&apos;d earned from Vassar at fifty-four because she&apos;d been denied the chance at twenty-four.&lt;br /&gt;     &lt;br /&gt;You sorted and catalogued all day, and God only knows how many mistakes you made, how many priceless heirlooms and pieces of her you threw into the Goodwill basket with a careless toss of your young man&apos;s hand.  The three of you had intelligence and respect in spades, but perspective on the life of another is hard to come by.  In most cases, it never comes.  The only one who can truly testify to the worth of a lifetime is the one who lived it.  Everything else is speculation.&lt;br /&gt;     &lt;br /&gt;Your final duty was to remove her furniture.  The lumbering grunts from the moving company you hired took most of it, but not the rocking chair.  That was for you.  The three of you stood around it in silence.  You all knew it had to be done, but none of you wanted to be the first to touch it.  It seemed sacrilegious, the desecration of a fallen queen&apos;s throne.  You hemmed and hawed and looked out the window now stripped of its curtains and the window boxes she put out every spring and summer, and the moving men lingered in the hallway with impatient respect.  You can&apos;t speak for the others, but you kept waiting for it to move, to rock to the rhythm of unseen, slippered feet swollen with fluid.&lt;br /&gt;     &lt;br /&gt;It was your cousin, Freddie, who finally profaned the sacred.&lt;/i&gt;  Well, &lt;i&gt;he said quietly as he looked out the naked window, and you knew he was picturing phantom tulips,&lt;/i&gt; it&apos;s got to be done.  &lt;i&gt;Then he retrieved her basket of unfinished knitting, crocheting, and needlepoint from beside the runner and placed it reverently in the center of the seat.  Then you each grabbed an arm and lifted it, pallbearers at a second funeral.&lt;br /&gt;     &lt;br /&gt;You looked back as you carried the chair toward the door and the waiting movers, who were sidling towards the narrow staircase with visions of beer and brats dancing in their sweaty heads, and all that was left of Aunt Ruby&apos;s world were the runner tracks the rocker had left in the carpet.  Start at Point A, end at Point B; the abridged life of Ruby Mae Nellis.&lt;br /&gt;     &lt;br /&gt;That was it; the spell was broken.  This was Aunt Ruby&apos;s home no more, but just another sad, empty apartment waiting to be claimed by somebody desperate to own a slice of the Big Apple.  Soon, the tracks carved by the runners and your footprints would be washed away like footprints in the sand, steamed into oblivion by a professional cleaning crew.  By Monday, the super would have guys in coveralls laying down plastic and tearing down the wallpaper in flavor of glossy, white paint.  Aunt Ruby was just another ghost in the walls.&lt;/i&gt;&lt;br /&gt;     &lt;br /&gt;Dead was dead, &lt;i&gt;those runner impressions said.  Death was a still rocking chair.&lt;/i&gt;&lt;br /&gt;     &lt;br /&gt;But in his mind, Aunt Ruby was alive and well, rocking to the clack of her knitting needles as a muffler took shape between her knowledgeable fingers and watching him with beneficent curiosity over the square, rimless lenses of her glasses.  She was wearing her Sunday pearls, and her slippers were a deep, rich purple.&lt;br /&gt;     &lt;br /&gt;&lt;i&gt;Royal purple,&lt;/i&gt; he thought distantly, and the dying regulator gave another gurgling wheeze.  Mud through straw, and the white-coated scientist that pulled the levers in the command center of his brain noted that he was rapidly running out of time and air.  If he didn&apos;t free himself soon, Stella would be bringing two corpses to Hammerback&apos;s table, but the image of Aunt Ruby was vivid and growing ever clearer and brighter.&lt;br /&gt;      &lt;br /&gt;&lt;i&gt;Hypoxia,&lt;/i&gt; muttered the lab-coated scientist, and he dutifully made a notation on his data sheet.  &lt;i&gt;Also common in victims of strangulation and smoke inhalation.  &lt;br /&gt;     &lt;br /&gt;Sheldon, you hear me?&lt;/i&gt; Aunt Trudy asked.  Her knitting needles never slowed, but clacked in time to the slow trundle of the runners.&lt;br /&gt;     &lt;br /&gt;&lt;i&gt;Yes, Aunt Ruby,&lt;/i&gt; he answered.  He was fascinated by the vision and oddly comforted by it.  He&apos;d practically grown up in front of that rocking chair, learned many of life&apos;s truths at her knee.  She&apos;d doled them out on the blunted points of her needles, woven them into the fabric of her mittens and mufflers and afghans, and all the while she&apos;d navigated the long, winding course of her life by the gentle rock of that chair, a tiny, black woman who&apos;d rocked, rocked, rocked her boat gently down the stream with the tireless pedaling of her feet.  &lt;br /&gt;     &lt;br /&gt;&lt;i&gt;You&apos;ve seen many injustices in your line of work, as a doctor, coroner, and prospector for the wrongly dead.  You&apos;ve seen infants riddled with bullets and tumors that killed and ravaged with equal impunity.  You&apos;ve seen young mothers robbed of the chance to raise their newborn children by catastrophic hemorrhages, and firefighters who lost the wager they made every day, snuffed out by the flames they so valiantly fought to extinguish.  You&apos;ve seen teenage girls who should&apos;ve lived long, happy lives arranged upon your coroner&apos;s slab like butterflied chickens, works of art that would never be finished.  You&apos;ve seen forgotten people left to rot and liquefy in their apartments because no one cared to look for them.  They were found only because they&apos;d seeped through their downstairs neighbor&apos;s ceiling, or because the super had come to collect the $1350 their lives were worth.  You&apos;ve seen the indifference with which we treat one another, and you&apos;ve spent your life trying to restore a small measure of balance to the chaos.&lt;br /&gt;     &lt;br /&gt;But when you think about it, which is too often though it is too seldom, you think that the greatest injustice you ever saw was the way Aunt Ruby died.  She&apos;d spent her life in that chair, gone around the world in an old, oak chair that had been a gift from her late husband, an uncle who was dead and gone long before you were born.  Family history holds that he built it himself, lacquered it and varnished it and presented it to her as a wedding present.  She&apos;d been mad until he&apos;d explained that it was for rocking all the babies they planned to have.  Then she&apos;d taken to it and the man who&apos;d given it to her with her characteristic Ruby tenacity.  She did rock babies in it, too, and grandbabies, and she might&apos;ve rocked great-grandbabies in it if the cancer and the Alzheimer&apos;s hadn&apos;t torn her apart with their dirty, poisonous claws.&lt;br /&gt;     &lt;br /&gt;She&apos;d lived her life in that chair, and so you thought she&apos;d go to her death in it, too.  It would be only fitting.  Someone would discover her slumped in its cradling embrace with a pile of unfinished TLC in her lap, and that would be that.  She&apos;d&apos;ve ferried herself across the river in a graceful exit, a storybook ending.  Instead, she died in a hospital bed, far removed from her rocking chair, raving at shadows and stinking of her own urine and feces.&lt;br /&gt;     &lt;br /&gt;That wasn&apos;t the first face of injustice you ever saw-that dubious honor was reserved for the playground accident you witnessed when you were eleven, the one that began with the monkey bars and ended with a nine-year-old who would never walk again-but it was the truest.  Throughout her life, Ruby Mae Nellis had carried herself with dignity, had never appeared at the Sunday dinner table in anything less than her best.  She&apos;d been sharp as a tack, with a razor wit and a fierce, smoldering pride that never left her eyes or her spine.&lt;br /&gt;     &lt;br /&gt;In the end, sixty-eight years of dignity were obliterated by six months of gabbling and ranting at sterilized shadows and marinating in her own shit.  They say that the first impression is most important, and that may be so, but it&apos;s the last that you leave behind.  Just ask any cop who&apos;s ever blown an impeccable thirty-year career on one mistake, one bad shoot or the one that got away.  For years, the only image of Aunt Ruby you could conjure after her death was of her propped against pillows and wrapped like a breathing mummy in sheets that stank of piss and inevitable death.&lt;br /&gt;     &lt;br /&gt;Cancer and its treatments had decimated her, left her little more than a leathery husk inside her hospital smock.  The proud woman who had once taught you hymns and Bible verses and the proper way to treat your elders in any situation was a mumbling, muttering crone who could no longer recall her name or the year.  Sometimes she thought she was in 1964, raising her daughters and her son, and sometimes it was 1990 and she was cutting George Bush the I to ribbons with her tongue and the furious, authoritative clack of her needles.  But mostly she lived in the darkness of her deteriorating mind, her internal clock stopped forever at the hour of none.&lt;/i&gt;&lt;br /&gt;     &lt;br /&gt;Cock-gobbling rapist shitfuck.  &lt;i&gt;Those were the last words she ever spoke to you.  Your Aunt Ruby, who before then had never so much as uttered a&lt;/i&gt; damn &lt;i&gt;after stubbing her toe or barking her shin on the coffee table.&lt;/i&gt;  Cock-gobbling rapist shitfuck.  &lt;i&gt;Matter-of-fact, even congratulatory, a crazed queen conferring knighthood upon an unsuspecting champion.  It would&apos;ve been funny if had been anyone else, any&lt;/i&gt; time &lt;i&gt;else, but it was Aunt Ruby, and the words issued from a mouth that carried with it the yellow reek of waning hours, and so you only blinked back the outraged tears and swallowed the lump in your throat and helped the nurse wrestle her onto her side, the better to check for bedsores and skin lesions.  You&apos;d already decided to be a doctor, you see, and you thought you could make a difference.  &lt;br /&gt;     &lt;br /&gt;Aunt Ruby&apos;s death by degrees only strengthened your resolve.  You powered through your pre-med requirements with the unshakeable conviction of zealots and lunatics.  You were a Blues Brother, on a mission from God to cure the ills of the world.  You were determined to rid the world of sorrow by force of will and the unrivaled power of your genius mind.  It all seemed so simple, and why shouldn&apos;t it have been?  You&apos;d achieved every goal to which you&apos;d ever set your heart and mind, overachieved, to be frank.  History was on your side.  This would be just another laurel with which to pad your considerable resume.&lt;br /&gt;     &lt;br /&gt;But you couldn&apos;t change a thing.  You couldn&apos;t even stem the tide.  Saving lives wasn&apos;t as easy, as cut and dried, as the textbooks and lectures made it sound.  Diseases that were so simple in the black and white of text and grainy photos suddenly became complex and unknowable when you saw them in pink and red and bone white.  It wasn&apos;t so easy to attach labels and prognoses to real lives instead of hypothetical case numbers.  Three months wasn&apos;t so abstract when you were staring into the face of a seventeen-year-old girl who&apos;d never make it to the prom and certainly wouldn&apos;t get a chance to trade that dress in for a wedding gown.  Medicine was as ugly as the ills it was meant to cure.&lt;br /&gt;     &lt;br /&gt;You rode in Sir Galahad in green surgical scrubs, and three years later, you rode out just another disillusioned knight with too many notches in your armor.  You lost as many as you saved, and the victories never canceled the losses.  The blood on your arms to the elbows was the same, and too often, gratitude looked like grief on puffy, careworn faces.  There wasn&apos;t any difference at all when you got down to the hard, ugly bottom.  Grief and gratitude are two sides of the same worthless coin.&lt;br /&gt;     &lt;br /&gt;After you lost three in one week, thwarted in your efforts by bullets and the ill-advised union of booze with Goodyear, you bowed to the inevitable.  Your failures haunted you, weighed down your nimble, acrobatic fingers.  You couldn&apos;t stand to be little more than an educated Hermes, bringing the message of death to so many.  It wasn&apos;t what you signed up for, being Charon&apos;s steward, so you traded the living for the dead.&lt;br /&gt;     &lt;br /&gt;It was better, safer in your necropolis of green tile and frigid steel.  The patients on your tables had already passed into the hands of the Almighty.  All that was left to you was to discover the whys and wherefores of the journey from the land of the living to the cold, loveless underworld of the dead.  You cut and prodded and prospected, documented each hematoma and abrasion and pulmonary edema, and if, by chance, you stumbled upon a tumor spreading its spongy, strangling tendrils into bone or unsuspecting tissue, you pierced its black heart with your scalpel, duly noted it on the innocuous paper person that we all become at the sad, sorry end, and let it lie.  It was no longer your enemy or your concern.  The mantle of savior had been passed to more capable hands.&lt;br /&gt;     &lt;br /&gt;And it was enough, for a while.  You thought you&apos;d found your niche in the federally-funded catacombs of concrete and steel.  You even carved one there for yourself, made a nest in an alcove not far from where your wayfarers slept in their temporary tombs.  It was comfortable despite the frigidity of the climate-controlled air, a burrow hidden from the eyes of the city and the bureaucracy, and it wasn&apos;t uncommon for you to spend the night on the cot you&apos;d set up at the far wall, cheap, metal frame abutting the grimy concrete brick in an effort to let the ambient heat of the still-breathing city above combat the cold.  You tucked yourself in with a book and a cup of coffee or lost yourself in the backlog of unsigned death certificates.  If it weren&apos;t for the corpses in the room proper, you might&apos;ve called it homey.  Sometimes you even did.  Home away from home.&lt;br /&gt;     &lt;br /&gt;Mac found you in there one night, reading a book and heating a human rib in the microwave.  God knows what he thought until you explained that the rib was actually from the victim in his latest case.  For a moment, his expression was dismayed, as though he&apos;d caught you peeping at&lt;/i&gt; Hustler &lt;i&gt;on lab time.  Disdainful, and more than a little wary.  You were perplexed at the time, and bemused, but in hindsight, you can understand his reaction.  You were a young, talented, attractive child of the brightest city in the world, an eligible bachelor who could&apos;ve had his pick of women, and your idea of a good night was to read a book while the aroma of irradiated dead flesh tickled your nose.  If you&apos;d read the same anecdote in a forensic psychology journal, you&apos;d have suspected it was a tale in the curriculum vitae of the next Jeffrey Dahmer.  No wonder Mac looked at you askance.  But you were happy.&lt;br /&gt;     &lt;br /&gt;But happiness never lasts with you.  It&apos;s an unfortunate malaise of the genius, a constant, gnawing hunger that is never, and can never be, satisfied.  It&apos;s a drive that runs parallel to the libido and deeper by miles and fathoms.  Leagues.  Twenty thousand leagues under the skin.  You&apos;re compelled to greatness, seduced by it, and once you&apos;ve conquered one kingdom, you seek out the next.&lt;br /&gt;     &lt;br /&gt;Or at least, that&apos;s how it usually works.  But this time, it was the dead who&apos;d wearied of you.  Their formerly benign, cataracted gazes became accusatory, less the bland, stony gazes of cemetery monuments and more the sinister, implacable eyes of judges and Gorgons.  Their stiff, blue-tinged lips fashioned themselves into knowing leers and puckered moues of disapproval.  Suddenly, they demanded more than a simple, clinical accounting of their final hours.  They were no longer content with just a mouthpiece, a scalpel-brandishing herald to catalogue their final indignities in the bloodless Greek of the autopsy.  Now they would have justice.&lt;br /&gt;     &lt;br /&gt;You dismissed it at first, chalked up the phantom expressions and perceived grimaces to the workaholic&apos;s hours that you kept and to the vagaries of a mind fueled by adrenaline and caffeine in quantities sufficient to stunt growth in lab mice.  Stress and insomnia played with the mind, arranged the myriad props of its internal theatre for its own amusements.  Some of the residents with whom you&apos;d worked in a galaxy far, far away had hallucinated during hectic rotations, had insisted that patients they&apos;d pronounced dead and shunted to the morgue had reappeared in the hallways, cinder-eyed Jacob Marleys wrapped in medical gauze and shambling the hospital in search of their lost souls.  Hell, in your final semester of med school, you were so tired that you saw your fingernails transform into maggots, wriggling and writhing on the ends of your fingers like Tom Savini&apos;s belly dancers at a gravedigger&apos;s ball.  The illusion scared you so badly that you dropped your books and screamed like a girl.  You would&apos;ve crammed your knuckles into your mouth if you hadn&apos;t been worried that one of the dancers would find its way into your mouth and lodge in your soft palate, a hideous second uvula.  You were halfway to sick and three-quarters of the way to the bathroom when you remembered to breathe and blink, and when you did, your fingernails were your fingernails again.&lt;br /&gt;     &lt;br /&gt;Even if you couldn&apos;t blame everything on stress and fatigue, science took care of the rest.  Bodies move after death, twitch and jerk and sometimes sit up on the autopsy table.  Life does not go gently, and when the soul departs, muscle memory lingers in the empty vessel, an echo of the past.  You&apos;ve seen fingers curl and jaws twitch, and even when movement ceases, the body continues the work of dying.  Corpses fart and belch and rattle for hours after death.  So, if a corpse seemed to glare balefully at you as you loomed over it with a scalpel, what of it?  Maybe accusation was the only expression the muscles remembered.  There was nothing odd or sinister in it, nothing new under the sun.&lt;br /&gt;     &lt;br /&gt;Until the voices, of course.&lt;br /&gt;     &lt;br /&gt;If only Mac had known about the voices.  How strangely would he have looked at you then?  You can guess; you&apos;ve always had a knack for sussing out the truth, and it&apos;s a safe bet that if he had known about the voices you started hearing just before he dropped the ax on Aiden&lt;/i&gt;(and off came her head; the rest burned in the car, and wasn&apos;t that merry?), &lt;i&gt;not only would he never have signed off on your transfer into the field, he would&apos;ve ordered you to a psychiatric evaluation and frog-marched you to the office with stone-faced, Semper Fi gravitas.  It&apos;s a short walk from boy wonder to madman, too short for comfort.&lt;br /&gt;     &lt;br /&gt;The dead have always spoken to you.  That&apos;s old hat and standard operating procedure.  In truth, you found it rather soothing to recreate them inside your head while you arranged them so artfully on your scales and in your specimen jars.  It made it easier to expose their secrets and shames to the world if you could establish a temporary, internal rapport, pretend that you were making small talk like a general practitioner.  You discussed hobbies and jazz albums and current events, and they revealed themselves inside your head, jovial and querulous and just plan asshole by turns.  It was fun, a bit of diversion to distract you from the grimness of your task and a mental exercise to keep the cogs turning smoothly.  But the voices were always, always inside your head.&lt;br /&gt;     &lt;br /&gt;You were washing up after a post the first time you heard it.  It was almost lost under the thunder of water splashing into the stainless steel sink.  You thought it was air hissing through the balky plumbing or the pitter patter of rat feet behind the walls.  It was furtive, paper drifting to the ground on a careless, intemperate breeze.  You registered it and let it go.  Then it happened again, louder and more distinct.  You blinked and turned off the tap in order to hear it more clearly.  It was silent for the longest time, so long that you started to turn the faucet on again, convinced it was your imagination.  Then it came, laughter from one of the drawers, dark and phlegmatic, the sucking, swamp-mud rasp of a lifelong smoker.&lt;br /&gt;     &lt;br /&gt;Your hand drifted from the tap handle to the paper towel dispenser, and you tugged a handful of sheets from its slack, cadaver mouth.  You dried your hands, and the laugh bubbled from the drawers behind you, abetted by the dry shuffle of cheap, coarse paper over your damp hands.  You turned to investigate, head cocked and soggy paper towels forgotten in your hand.  You were more curious than afraid, a scientist presented with a new and unexpected hypothesis.&lt;br /&gt;     &lt;br /&gt;You moved from drawer to drawer, pressing your ear to cold steel that bit into the sensitive skin, a sharp, predatory nip that made the nautilus tingle and burn.&lt;/i&gt;  Danger.  Live contents inside.  &lt;i&gt;Which was impossible, since each inhabitant had had his birthday suit redesigned and marred by a ragged&lt;/i&gt; Y &lt;i&gt;in ugly, black stitching.  Nothing.  No breathing.  No frantic pounding of fists on the walls to signal that someone had been prematurely buried.  No scrabbling clitter of fingernails on metal.  Just the sedate hum of the refrigeration unit.&lt;br /&gt;     &lt;br /&gt;You waited five minutes just to be sure, though you felt like a fool, standing with your ear to the drawer like some spooked probie.  Eventually, you got disgusted with yourself and pried yourself away, back to your books and your forms and the hypnotic rhythm of signing your name to the scrolls of the dead as though it were a royal seal that granted bearers the right of passage into the afterlife.  You kept an ear out for the rest of the night, but the dead had fallen into dreams and did not stir, and when you finally signed the last certificate at quarter-past three, you&apos;d neatly consigned the experience to the realm of the strange but untrue.  For the first time in a long time, you didn&apos;t sleep on the cot in the alcove.  You went to your apartment instead and tripped all the security locks behind you.&lt;br /&gt;     &lt;br /&gt;You were watchful for a while after that, ever alert for the sound of laughter from the bank of drawers, but none came, and after two weeks of starting at every echo of conversation admitted into the morgue by the swinging doors and every rustle of paper by a coroner&apos;s assistant, you put your foot down and rededicated yourself to the daily grind of tending the dead, reminded yourself that it was physiologically impossible for the dead to speak.  The cerebral cortex dies within minutes if deprived of blood and oxygen.  Minor brain damage begins at two minutes; major, irrevocable damage occurs at four.  Five minutes is fatal.  Even if the dead could coax their vocal cords to grinding speech, they&apos;d lack the cognitive ability to communicate rationally or effectively.  It would be so much gibberish.  It was a comforting pep talk steeped in the tools of your trade, one designed to keep the bogeyman at bay.   It should&apos;ve worked, but it didn&apos;t.&lt;br /&gt;     &lt;br /&gt;You heard them again three months later.  You were posting a bloater dredged out of the East River, a spaceman tethered to Earth in your coveralls, spatter guard, and air filtration mask.  You were so much the prehistoric cosmonaut that you had reenacted the first moonwalk, complete with slow-motion, exaggerated hops and a performance of underwater ballet.  Ironic, considering you&apos;re going to die underwater, to relive that giddy moment of coroner&apos;s humor by twitching and convulsing while your lungs and stomach fill with fluid.&lt;/i&gt;  Death by drowning, &lt;i&gt;it&apos;ll say on Sid&apos;s autopsy report, and maybe there&apos;ll be the corollary of&lt;/i&gt; death by misadventure,&lt;i&gt; as though you&apos;d stumbled off the pier and toppled headlong into the water instead of dying on the job with a fistful of old coins.  At least you&apos;ll be ready for the ferryman.&lt;br /&gt;     &lt;br /&gt;The reenactment of the moon landing was several hours behind you when the voices came, however.  The only sounds then were the percolating gurgle of your self-contained respirator and the wet, viscous rattle of your scalpel as you made an incision into the trachea, pudding sloshing inside a wet, rotten leather bag.  The skin was a deep, mottled purple, and it sloughed despite your practiced delicacy.  Water and thick foam beaded beneath the blade.&lt;br /&gt;     &lt;br /&gt;There was a ponderous thump from inside one of the drawers, and then the voices, an indistinct murmur that came from everywhere and nowhere, phantom voices like those that came from the radio when the tuner was on the fritz, whispers stolen from the roar of static.&lt;/i&gt;&lt;br /&gt;     &lt;br /&gt;-obbling -ist -ck.&lt;br /&gt;     &lt;br /&gt;-oing -on -bab&lt;br /&gt;     &lt;br /&gt;-ock -bling shi-&lt;br /&gt;     &lt;br /&gt;&lt;i&gt;Word fragments spit from the silence, pebbles discarded from the thirst-shriveled mouths of wandering prophets and desert nomads.  Snatches of madness and nonsense.  Except that the nettlesome, barbed finger of truth kept scratching at the base of your brain, reminding you of a conversation, a parting curse, that you&apos;d rather forget.&lt;/i&gt;&lt;br /&gt;     &lt;br /&gt;-obbling -ist -ck.  &lt;i&gt;You could fill in the blanks if you cared to, and even if you didn&apos;t, your mind, ever the inventive monkey, would help you along.  It had no designs on being a traitor, but sometimes treachery can&apos;t be helped.&lt;br /&gt;     &lt;br /&gt;The voices knew you knew, must have known, because they got clearer and faster and colder, as though your trusty scalpel had learned to speak.&lt;/i&gt;  -obbling -ist -ck -obbling -ist-ck -obbling -ist -ck, &lt;i&gt;a Greek chorus prophesying doom to a traveler whose feet were already set upon the fatal path.  Sharp and burning against your skin, and so insistent that you itched with the need to clap your gloved hands to your plastic-covered ears and hum to block them out.  You almost did, almost punctured your eardrum with your blood-stained scalpel, and wouldn&apos;t that have been a story for Mac, a red flag that would&apos;ve kept you out of the field and on his watch list until you retired and shuffled off to play backgammon in Palm Springs?  Mac&apos;s nothing if not watchful for the mutant.  He&apos;s been hunting monsters since seventeen.  It&apos;s all he knows.  You know he&apos;s watching this right now, watching your monsters rise from the abyss.&lt;br /&gt;     &lt;br /&gt;It was a constant babble, echoed in the crackle of your sterile scrubs, and then the power went out and you were plunged into a darkness so absolute that it had its own darkness underneath, a visual double exposure that made you wonder if it was the sight of the blind.  It was the most unpleasant moment of your life to be lost in the dark with those voices and a dead man on the table.  If the backup generators hadn&apos;t kicked in and bathed the morgue in dull amber light, you might&apos;ve lost your mind, felt it slither from your overstuffed skull and disappear into the abyss, washed into the sewers with the bloater&apos;s rotting tissue.&lt;br /&gt;     &lt;br /&gt;But the lights flickered on and spared your sanity, and you were grateful until you glanced down at the bloater and saw that his previously closed eyes were now open and avid behind their milkglass shine.  Dead facial muscles twitched with a terrible creak, overtaxed rawhide, and the blue-purple lips twisted in an obscene parody of a smile.  You wanted the mercy of darkness then, oh, yes, you did, but the squat bunker of the morgue was ever the faithful soldier and did not falter, and so you kept right on seeing.&lt;/i&gt;&lt;br /&gt;     &lt;br /&gt;-obbling -ist -ck, &lt;i&gt;said the larynx that should have been long past talking, and bits of skin bubbled and split in the corners of his water-swollen mouth.&lt;/i&gt;  -oing -don- bab-  &lt;i&gt;Dark water and foam bubbled from his butterflied trachea.&lt;br /&gt;     &lt;br /&gt;You didn&apos;t stay to hear the rest.   You just dropped your scalpel on the floor and blundered for the door.  You were a cosmonaut again, but there was nothing funny about this space walk; this was life or death.  The spaceship was leaving, and if you didn&apos;t make it inside, you were going to be left on the lightless, airless surface of the moon.  You had one hand on the swinging door when Mr. River Man spoke again, this time with perfect clarity.&lt;/i&gt;&lt;br /&gt;     &lt;br /&gt;Aunt Ruby says hello.&lt;br /&gt;     &lt;br /&gt;&lt;i&gt;You turned to face the slab.  Mr. River Man grinned up at you with his filmy, grey teeth.  His opaque, irisless eyes gleamed at you with a manic cheer that brought your heartbeat and your gorge into throat.&lt;/i&gt;&lt;br /&gt;     &lt;br /&gt;She says she&apos;ll see you real soon, and oh, the things you&apos;ll have to talk about.  Won&apos;t it be fun?  &lt;i&gt;Then Mr. River Man laughed, and water erupted from his throat, water that wriggled and slithered as it spread across the floor.&lt;br /&gt;     &lt;br /&gt;You bolted from the room and sprinted into the nearest bathroom to heave your guts.  You hadn&apos;t vomited at an autopsy since med school, and the coroner&apos;s assistants dragged the incident to the mysterious corners of their locker room for discussion and dissection.  You were legendary for your Zen in the face of the messiest deaths, so a body that could part you from your dinner must have been legendary, indeed.  Rumor had it that they pooled their collective intellectual resources to uncover the cadaver.  If only they&apos;d asked Dr. Pino, who finished the autopsy later that day.  Mr. River Man was and still remains the only autopsy you never finished.  It was also the first time you&apos;d ever run from the morgue.  At least you didn&apos;t run screaming, though you would have if you&apos;d had the breath for it.  Strangely, your lungs had been tight and heavy inside your chest, as if they&apos;d been filled with sand.  Or with river water that wriggled and slithered.&lt;br /&gt;     &lt;br /&gt;You thought it would also mark the only occasion for flight, but you were wrong on that count because two weeks later, the autopsy room became a track again.  The voices came again, and that time, you got lucky enough to see what was behind the drawer,&lt;/i&gt; who-&lt;br /&gt;     &lt;br /&gt;But that wasn&apos;t a memory he wanted to relive, even if the visit was brief.  The thought of facing it again galvanized him, and he redoubled his efforts to wrench his arm free of the ensnaring beam.  A shadow drifted over him and disappeared, and something brushed his back. &lt;br /&gt;     &lt;br /&gt;&lt;i&gt;She&apos;s got me,&lt;/i&gt; he thought frantically.  &lt;i&gt;She found her way out of that damn crypt, and I&apos;m never leaving this bay.&lt;/i&gt;  But then Danny was beside him, gesturing and reassuring and putting his shoulder to the stubborn beam.  His relief was so profound that he laughed, an explosion of bubbles that plumed from his regulator, and a waste of precious air.&lt;br /&gt;     &lt;br /&gt;&lt;i&gt;Not that it matters,&lt;/i&gt; insisted the relentless doctor inside his head.  &lt;i&gt;You passed the point of no return sixty seconds ago.  You&apos;re going to drown, going to join Mr. River Man; it&apos;s only a question of time.&lt;/i&gt;&lt;br /&gt;     &lt;br /&gt;He&apos;d always wondered if death hurt; not the manner of death-he&apos;d seen far too many deaths that had been alloyed studies in agony.  Aunt Ruby&apos;s, for instance.  No, he wondered about the precise moment when the body was cleaved from the soul.  Was it a clean sundering, or did one cling to the other with the single-minded tenacity of the dying?  If it hurt, was it a quick pain, the needling burn of an incision made by an expert hand, or did it linger, an echo that continued to reverberate long after the preacher had folded his holy tent and the gravediggers had finished their work?  Would he still feel the water in his lungs while two men with grave dirt under their nails were quaffing pints at a bar?  Maybe the moment of separation was determined by the life you lived.  Maybe that was the first and last measure of God&apos;s mercy for His exiled children blundering through the remnants of Eden.  Maybe it was the only mercy He could grant after such a long and willful estrangement.  Maybe His cup of grace was empty, nothing inside but drops and dregs.&lt;br /&gt;     &lt;br /&gt;&lt;i&gt;Which death will He grant you, Dr. Hawkes?  When the moment comes, will He consider your degrees and diplomas, the countless lives you&apos;ve saved with the practice of your hallowed arts, the roll call of bad guys you&apos;ve put away as a member of the CSI team?  Or will He perhaps consider just two moments, two out of hundreds of millions?  Maybe one failure is all it takes, one moment of weakness.  If so, you&apos;re in very big trouble.&lt;/i&gt;&lt;br /&gt;     &lt;br /&gt;His mind formed images of his second sprint from the morgue, images of what he&apos;d found when he&apos;d so foolishly opened the door to Drawer 3 and peered inside.  The thing inside, crouching over the corpse of Mrs. Madeline Guthrie, hit and run, crouching over her in a familiar floral-print caftan and peeling the flesh from her face like the peel from an orange.  The thing that rocked and cackled and looked at him with black, dead eyes.&lt;br /&gt;     &lt;br /&gt;The thing that had placed Mrs. Madeline Guthrie&apos;s face over its own and smiled at him.&lt;br /&gt;     &lt;br /&gt;&lt;i&gt;What&apos;s the matter, Sheldon, my boy?  Don&apos;t like my new face?  Cock-gobbling racist shitfuck.  It&apos;s ever so much better than the one I was left with because-&lt;/i&gt;&lt;br /&gt;     &lt;br /&gt;He shut his eyes and tried to picture something else-his apartment, neat and clean despite the array of Miles Davis CDs fanned on his coffee table, the first girl he ever kissed, the first he&apos;d ever bedded, the chocolate lab he&apos;d had as a kid, the one that fetched sticks and tennis balls and was a master of the well-timed soundless fart that could clear a room of unwanted relatives in record time.  But the only memory that heeded his call was of himself standing beside Mac behind the two-way mirror while Stella and Flack interrogated Julie Rollins.  His own face reflected in the glass like an insubstantial truth as he&apos;d told Mac that he&apos;d done the right thing by not helping his bedridden, cancer-ravaged father escape the pain.  Two faces in the mirror.&lt;br /&gt;     &lt;br /&gt;&lt;i&gt;Liar, liar, pants on fire.&lt;/i&gt;&lt;br /&gt;     &lt;br /&gt;Something snagged the ankle of his neoprene wetsuit and tugged, and he knew it wasn&apos;t Danny, because he was still waging war against the stubborn beam, butting and tugging and willing it to move, goddamn fucking sonofawhore thing, move.  Still trying to be Superman, to be dealt a hand he wouldn&apos;t lose on the last card.  Danny would keep trying long after it was too late, and Sheldon found that comforting, even if it was too late for a last-minute miracle.&lt;br /&gt;     &lt;br /&gt;He looked over his shoulder and moaned.  They were there, waiting for him with eager faces and clutching hands.  Deborah Kleman and Aunt Ruby and Mr. River Man, who in life had been a lonely businessman with no one to keep him company and mourn his passing.  Mr. River Man, who would no longer be the only bloater in the river.  Deborah Kleman&apos;s hair was impossibly red and floated behind her like strands of kelp. &lt;br /&gt;     &lt;br /&gt;Aunt Ruby floated between them, floral caftan belled around her emaciated frame, an ancient jellyfish come to collect her prey.&lt;br /&gt;     &lt;br /&gt;&lt;i&gt;You knew you couldn&apos;t outrun me forever, Sheldon, baby,&lt;/i&gt; Aunt Ruby said, though her mouth never moved.  &lt;i&gt;There are consequences to everything, even those actions we choose not to take.  It won&apos;t hurt, baby.  I can promise you that.  Love is often merciful in its cruelty.&lt;/i&gt;  She was closer now, close enough to touch his flippered foot, and he knew that when she did, she would keep him there forever.&lt;br /&gt;     &lt;br /&gt;The regulator gave a final gurgling hiss and quit, and he knew with the detached serenity of certainty that he was going to die.  He wondered what they&apos;d talk about at his Irish wake at Sullivan&apos;s, what jokes Danny would tell over three beers too many and what stories Mac wouldn&apos;t.  He hoped they&apos;d have the grace to grieve with laughter, as they&apos;d done with Aiden.  He was only sorry he wouldn&apos;t be there to join in.&lt;br /&gt;     &lt;br /&gt;&lt;i&gt;Sheldon!&lt;/i&gt;  Sharp and direct.  &lt;br /&gt;     &lt;br /&gt;He faced forward again, and Aunt Ruby was there, not the batrachian jellyfish that clawed at his foot with her lethal tentacles and sought to drag him into the muddy deep, but the Aunt Ruby who&apos;d spent her life lifting him up.  She sat in her rocking chair and rocked and clacked and watched him over her glasses.  She was still knitting, ever knitting, and the muffler had grown enormously, had become a slender, golden rope.  &lt;br /&gt;     &lt;br /&gt;&lt;i&gt;Sheldon, are you listening to me, boy?  What did I tell you?  There is always hope, even when you can&apos;t see it.  Sometimes, you&apos;ve just got to fight for it, that&apos;s all.&lt;/i&gt;  She held out the miraculous, golden strand.  &lt;i&gt;You&apos;ve got a choice to make now, baby.  Make it quick.&lt;/i&gt;  The rope danced just beyond his reach.&lt;br /&gt;     &lt;br /&gt;He reached for it with a leaden arm, stretched his fingers until they creaked with the effort, but the rope eluded him, and before he could redouble his effort, cold curled around his ankle and calf in a vise.  Aunt Ruby of After had reached him at last, and if he dared look back, he would see here there, crabbed and hateful and burning with malice, Aunt Ruby reduced to bone